-
Notifications
You must be signed in to change notification settings - Fork 6
Commit
This commit does not belong to any branch on this repository, and may belong to a fork outside of the repository.
- Loading branch information
1 parent
25b318e
commit 9c12ad6
Showing
15 changed files
with
52 additions
and
54 deletions.
There are no files selected for viewing
Loading
Sorry, something went wrong. Reload?
Sorry, we cannot display this file.
Sorry, this file is invalid so it cannot be displayed.
Binary file not shown.
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
Original file line number | Diff line number | Diff line change |
---|---|---|
@@ -0,0 +1,18 @@ | ||
--- | ||
name: Anastaisa Pistofidou | ||
role: Materials and Textiles Strategic Advisor | ||
feature_img: /assets/images/faculty/anastasia-pistofidou.jpeg | ||
socials: | ||
email: | ||
website: | ||
linkedin: https://www.linkedin.com/in/anastasia-pistofidou-75b17255?originalSubdomain=es | ||
twitter: https://twitter.com/narktect | ||
facebook: | ||
instagram: | ||
github: | ||
--- | ||
|
||
Anastasia is a Greek architect that has been working with Digital Fabrication technologies, design and education since 2009. She has been part of Fab Lab Barcelona (IAAC) since 2011 as a researcher, practitioner, advanced manufacturing officer and project leader in the Textiles and Materials research area. In 2013 she co-founded fabtextiles.org, a research laboratory on textiles, soft architectures, innovative materials, and sustainability. In 2017 she co-founded Fabricademy, Textile and Technology Academy, a distributed educational program and community of practitioners that promotes and researches the implications and applications of wearable technology and Digital Fabrication in Fashion, Textiles and Biology. Anastasia has participated in several European-funded projects managing topics such as artistic residencies, society and culture, circular economy and sustainability in the European Textile & Clothing sector, co-creation methodologies, science with and for society, gender inclusion, female creativity and innovation potential, among others: EASTN, Made@EU, TCBL, SISCODE and Shemakes. She promotes open knowledge and sharing practices with various available publications in biomaterial making, additive manufacturing, digital fabrication and sustainability. Moreover, Anastasia has been a curator and producer of the annual exhibition on FabTextiles Digital Fashion and Wearables Showcase since 2014. Combining digital fabrication techniques and crafts, she demonstrates how new technologies can shift the massive consumption and fast production to a customized, open-source, personal and local fabrication applied to education, everyday life and new enterprises. | ||
|
||
|
||
|
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
Original file line number | Diff line number | Diff line change |
---|---|---|
@@ -0,0 +1,18 @@ | ||
--- | ||
name: Daniel Charny | ||
role: Creative Director | ||
feature_img: | ||
socials: | ||
email: [email protected], [email protected] | ||
website: | ||
linkedin: | ||
twitter: | ||
facebook: | ||
instagram: @danino, @fixperts | ||
github: | ||
--- | ||
|
||
## Daniel Charny | ||
|
||
Daniel Charny is a creative director, curator, and educator with an inquiring mind and an entrepreneurial streak. He is co-founder of the community interest company Forth. Charny is best known as curator of the exhibition Power of Making at the V&A, and of the award-winning learning programme Fixperts, now taught in universities and schools worldwide. Charny is active internationally as a speaker and expert advisor, advocating design, creativity and making as essential tools to unlock a better future. He is Professor of Design at Kingston University, winner of the London Design Innovation Medal 2019 and the Sir Misha Black Award for Innovation in Design Education 2020. | ||
|
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
Original file line number | Diff line number | Diff line change |
---|---|---|
@@ -0,0 +1,15 @@ | ||
--- | ||
name: Julia Steketee | ||
role: Designer & Maker | ||
feature_img: | ||
socials: | ||
email: | ||
website: | ||
linkedin: | ||
twitter: | ||
facebook: | ||
instagram: | ||
github: | ||
--- | ||
|
||
Julia is a designer, a maker, and an artist of craft. During her BFA in Furniture Design at Rhode Island School of Design, she developed skills in woodworking, metalworking, and textile and leather techniques. Since, she has worked in furniture design studios in London and Rio de Janeiro and as a fabrication assistant for a sculpture artist in Brooklyn, New York. She is now based in Barcelona where she completed the Master's program Design for Emergent Futures at the Institute of Advanced Architecture of Catalonia and ELISAVA School of Design and Engineering. Currently, she continues her studies through a postgraduate research program in biomaterial research at ELISAVA. In addition, she is a Research Resident at Fab Lab Barcelona where she works on projects that support the circular economy and access to local production in Barcelona. |
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
This file contains bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
Original file line number | Diff line number | Diff line change |
---|---|---|
|
@@ -49,7 +49,6 @@ Email Address [email protected] | |
|
||
Design Archive - https://www.juliasteketee.com/ | ||
|
||
|
||
Linkedin - https://www.linkedin.com/in/julia-steketee-88074369/ | ||
|
||
|
||
|