add master thesis

dracor-org · Jan 9, 2025 · 6499b73 · 6499b73
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@@ -20,6 +20,7 @@ This constantly updated bibliography is an attempt at collecting all research pu
 * Monika Dabrowska, María Teresa Santa María Fernández: Gender relations in Spanish theatre during the Silver Age: a quantitative comparison of works in the Spanish Drama Corpus. In: Digital Scholarship in the Humanities. Published: 26 February 2024. ([doi:10.1093/llc/fqae007](https://doi.org/10.1093/llc/fqae007))
 * Lucas van der Deijl: Orde en rationalisme in het toneel van Nil Volentibus Arduum. Een computationele benadering van vroegmoderne verhaalmodellen. In: Spiegel der Letteren. Vol. 66 (2024), issue 1, pp. 53–94. ([doi:10.2143/sdl.66.1.3293327](https://www.doi.org/10.2143/sdl.66.1.3293327))
 * Katrin Dennerlein, Thomas Schmidt, Christian Wolff: Emotions in Stage Directions in German Drama of the Early Modern Period: Explorations via Computational Emotion Classification. In: Melanie Andresen, Nils Reiter (eds.): Computational Drama Analysis: Reflecting Methods and Interpretations. Berlin, Boston: De Gruyter 2024, pp. 189–215. ([doi:10.1515/9783111071824-010](https://doi.org/10.1515/9783111071824-010))
+* Lena Ehlers: [Optimierung der Klassifikation von Figurenauf- und -abtritten in Dramentexten mittels Prompt Engineering.](http://nbn-resolving.de/urn:nbn:de:bsz:93-opus-ds-154917) (Master thesis.) University of Stuttgart. 2024.
 * Pablo Ruiz Fabo, Delphine Bernhard, Andrew Briand, Carole Werner: Computational Drama Analysis from Almost Zero Electronic Text: the Case of Alsatian Theater. In: Melanie Andresen, Nils Reiter (eds.): Computational Drama Analysis: Reflecting Methods and Interpretations. Berlin, Boston: De Gruyter 2024, pp. 57–85. ([doi:10.1515/9783111071824-004](https://doi.org/10.1515/9783111071824-004))
 * Pablo Ruiz Fabo, Alexia Schneider: Vers une classification automatique de didascalies en français avec des grands modèles de langue. In: L’impact des larges modèles de langue et des agents conversationnels sur les études du texte. 26–27 November 2024. Aubervilliers. ([doi:10.5281/zenodo.14301375](https://doi.org/10.5281/zenodo.14301375))
 * Michael Falk: Drama: Inner Seas in the Tragedies of Baillie and Harpur. In: Romanticism and the Contingent Self. The Challenge of Representation. Cham: Palgrave Macmillan 2024, pp. 183–228. ([doi:10.1007/978-3-031-49959-3_5](https://doi.org/10.1007/978-3-031-49959-3_5))