diff --git a/PDF-Manual/ReaClassical-Manual.pdf b/PDF-Manual/ReaClassical-Manual.pdf
index 6a77658f..c9cd24e2 100644
Binary files a/PDF-Manual/ReaClassical-Manual.pdf and b/PDF-Manual/ReaClassical-Manual.pdf differ
diff --git a/PDF-Manual/ReaClassical-Manual.tex b/PDF-Manual/ReaClassical-Manual.tex
index 44eac717..4ee1d1fc 100644
--- a/PDF-Manual/ReaClassical-Manual.tex
+++ b/PDF-Manual/ReaClassical-Manual.tex
@@ -833,15 +833,13 @@ \subsection{Multi-Channel Audio Import}
 items). Answer yes to the prompt that appears if the first two channels should
 be treated as stereo interleaved (i.e. they represent your main pair). Depending
 on the choice made, the number of tracks in the resulting folder(s) will adjust
-accordingly. If the user selects \textquoteleft no\textquoteright{} to keep all
-tracks mono, the folder track is left empty so that the Prepare Takes \keys{T}
-function is able to create a muted guide track (more on this later!). Then you
-are given the opportunity to name your tracks. Obviously if you decide to move
-to a vertical workflow after exploding using a single track, you can always use
-\keys{F8} to create your source folders then drag the media to where you want
-them. If you need to bring in new takes after editing has started, simply use
-the function on an empty project tab then copy or cut them into the original
-project tab into the desired folder on the timeline.
+accordingly. Then you are given the opportunity to name your tracks. Obviously
+if you decide to move to a vertical workflow after exploding using a single
+track, you can always use \keys{F8} to create your source folders then drag the
+media to where you want them. If you need to bring in new takes after running
+this function, simply open an empty project tab, import additional media then
+run the function there. Afterwards, copy or cut the exploded items into the
+original project tab to the desired locations.
 
 \section{Navigating a Project}
 
@@ -1043,12 +1041,9 @@ \subsection{Preparing Takes}
 have come from. Prepare Takes can be re-run at any point to re-sync colors and
 will preserve any custom colors set via the Colorize function \keys{K}.
 
-If you imported or recorded all your files in child tracks, the function will
-additionally copy all items from each first child track into the folder track
-and mute them to act as a visual guide track. You will receive a pop-up message
-if this is the case. In the cases where you might use the function after editing
-has begun, the destination group will switch to using alternating colors for
-items so that you can easily tell where you have made edits.
+In the cases where you might use the function after editing has begun, the
+destination group will switch to using alternating colors for items so that you
+can easily tell where you have made edits.
 
 \subsection{Auditioning Takes}
 
@@ -1825,16 +1820,13 @@ \section{Description of ReaClassical Functions}
 Then, simply press \keys{F10} (no need to select the items). Answer yes to the
 prompt that appears if the first two channels should be treated as stereo
 interleaved (i.e. they represent your main pair). Depending on the choice made,
-the number of tracks in the resulting folder(s) will adjust accordingly. If the
-user selects \textquoteleft no\textquoteright{} to keep all tracks mono, the
-folder track is left empty so that the Prepare Takes \keys{T} function is able
-to create a muted guide track (more on this later!). Then you are given the
-opportunity to name your tracks. Obviously if you decide to move to a vertical
-workflow after exploding using a single track, you can always use \keys{F8} to
-create your source folders then drag the media to where you want them. If you
-need to bring in new takes after editing has started, simply use the function on
-an empty project tab then copy or cut them into the original project tab into
-the desired folder on the timeline.
+the number of tracks in the resulting folder(s) will adjust accordingly. Then
+you are given the opportunity to name your tracks. Obviously if you decide to
+move to a vertical workflow after exploding using a single track, you can always
+use \keys{F8} to create your source folders then drag the media to where you
+want them. If you need to bring in new takes after editing has started, simply
+use the function on an empty project tab then copy or cut them into the original
+project tab into the desired folder on the timeline.
 
 \textbf{Add special track(s) }\keys{\#}
 
@@ -2294,8 +2286,7 @@ \section{Description of ReaClassical Functions}
 and press \keys{A} to just audition the material into the fade. Hover and press
 \keys{A} on the outgoing item to only hear the material out of the fade. Note
 that auditioning in the arrange window or in fade editor mode maintains muted
-items on the folder track (for example, in the case of a muted guide track
-created by Prepare Takes \keys{T} for mono-channel polywav import.
+items on the folder track.
 
 To actually finesse the edit, ensure at least one of the crossfaded items is
 selected. Then hover your mouse in a blank area (similar to the above fade