From 07d15cdf7d3ee5df08f1aa69d59182d0ed76ab3d Mon Sep 17 00:00:00 2001 From: chmaha Date: Mon, 10 Feb 2025 16:50:16 +0000 Subject: [PATCH] Remove LyX version --- PDF-Manual/ReaClassical-Manual.lyx | 15014 --------------------------- 1 file changed, 15014 deletions(-) delete mode 100644 PDF-Manual/ReaClassical-Manual.lyx diff --git a/PDF-Manual/ReaClassical-Manual.lyx b/PDF-Manual/ReaClassical-Manual.lyx deleted file mode 100644 index fbc9bb59..00000000 --- a/PDF-Manual/ReaClassical-Manual.lyx +++ /dev/null @@ -1,15014 +0,0 @@ -#LyX 2.4 created this file. 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-\begin_inset CommandInset href -LatexCommand href -target "https://www.gnu.org/licenses/fdl-1.3-standalone.html" - -\end_inset - - -\end_layout - -\begin_layout Standard -\noindent -\align center -Copyright © 2022–2025 chmaha -\end_layout - -\begin_layout Standard -\noindent -\align center -Cover art (adapted): -\emph on - -\begin_inset Newline newline -\end_inset - -Composition with Red, - Yellow, - and Blue -\emph default - (1927) by Piet Mondrian -\begin_inset Newline newline -\end_inset - -Downloaded from -\begin_inset CommandInset href -LatexCommand href -name "Artvee" -target "https://artvee.com/dl/composition-with-red-yellow-and-blue#00" -literal "false" - -\end_inset - - -\end_layout - -\begin_layout Standard -\noindent -\align center -Typeset in \SpecialChar LyX - using \SpecialChar TeX - Gyre Schola font -\end_layout - -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -vspace*{ -\backslash -fill} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\align center -\begin_inset Box Frameless -position "c" -hor_pos "c" -has_inner_box 1 -inner_pos "c" -use_parbox 0 -use_makebox 0 -width "20col%" -special "none" -height "1in" -height_special "totalheight" -thickness "0.4pt" -separation "3pt" -shadowsize "4pt" -framecolor "foreground" -backgroundcolor "none" -status open - -\begin_layout Plain Layout -\align right - -\emph on -As featured in -\emph default - -\begin_inset space \thickspace{} -\end_inset - - -\begin_inset space \thickspace{} -\end_inset - - -\end_layout - -\end_inset - - -\begin_inset Box Frameless -position "c" -hor_pos "c" -has_inner_box 1 -inner_pos "c" -use_parbox 0 -use_makebox 0 -width "50col%" -special "none" -height "1in" -height_special "totalheight" -thickness "0.4pt" -separation "3pt" -shadowsize "4pt" -framecolor "foreground" -backgroundcolor "none" -status open - -\begin_layout Plain Layout -\begin_inset CommandInset href -LatexCommand href -name "\\includegraphics[width=6cm]{user_guide_images/sos.jpg}" -target "https://www.soundonsound.com/techniques/source-destination-editing-reaclassical" -literal "true" - -\end_inset - - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -vspace*{ -\backslash -fill} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -vspace*{ -\backslash -fill} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -hyphenpenalty=10000 -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -I sincerely appreciate your interest in ReaClassical. - This project is a labor of passion, - driven by the desire to provide a robust and flexible tool for musicians, - composers, - and sound engineers in the classical music world. - Your support, - feedback, - and contributions are vital to making ReaClassical better with every update. -\end_layout - -\begin_layout Standard - -\emph on -Thank you for being a part of this journey. - Whether you’re just starting with ReaClassical or have been using it from the beginning, - your trust in this tool inspires me to continue improving and innovating. - I hope ReaClassical enhances your classical music production workflow and empowers your creative vision. -\end_layout - -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -hyphenpenalty=50 -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\align right -\begin_inset Graphics - filename user_guide_images/chmaha.pdf - display false - scale 25 - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -vspace*{ -\backslash -fill} -\end_layout - -\end_inset - - -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset CommandInset toc -LatexCommand tableofcontents - -\end_inset - - -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Part -\noindent -\align left -Preliminaries -\end_layout - -\begin_layout Section -Introduction -\end_layout - -\begin_layout Standard -\noindent -It is important to note that if you already own REAPER then the world of classical editing including source-destination editing (aka 2-, - 3-, - and-4-point editing), - crossfade editing and more are available at no extra cost to you via the freely available ReaClassical system. - There’s no need to spend any of your hard-earned money on Sequoia, - Pyramix or SaDiE in order to make editing precise and efficient. - As a classical engineer myself, - I can say with certainty that what I am about to share with you covers all my recording, - editing and mastering needs. - Indeed, - I couldn't return to the old way of working at this point. - Your mileage may vary and I’d love to hear from you if there are functions that you feel might be missing. - -\end_layout - -\begin_layout Section -Compatibility -\end_layout - -\begin_layout Standard -ReaClassical runs on any system that is compatible with REAPER (nine architectures!). - This includes 64-bit and 32-bit versions of Windows, - MacOS and Linux (including Raspberry Pi). -\end_layout - -\begin_layout Section -Quick Start Guide -\end_layout - -\begin_layout Standard -For first-time users, - the -\begin_inset CommandInset href -LatexCommand href -name "quick start guide" -target "https://reaclassical.org/quick_start_guide.html" -literal "false" - -\end_inset - - website is a great place to learn the basics about ReaClassical. - Each section covers major workflow areas and contains simple step-by-step instructions with an accompanying short YouTube video for demonstration (no audio). -\end_layout - -\begin_layout Section -This Manual -\end_layout - -\begin_layout Standard -This PDF manual serves as the official manual for ReaClassical. - The latest version is always available directly online or offline from within ReaClassical by pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{H} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - -help -\begin_inset Quotes brd -\end_inset - -). - The benefit of the offline version is that it is always in sync with the version of the tools you are using. - The structure of the manual is designed to take the user through preliminary remarks, - install and update procedures for both ReaClassical and REAPER then a detailed look at workflows from creating a project through to final render. - After some brief closing remarks, - there follows the appendices (descriptions of all the ReaClassical functions, - keyboard shortcut guide, - recommended free mastering-grade plugins, - system tweaks for all three major OSes, - and, - finally, - a manual install guide mainly for academic purposes). -\end_layout - -\begin_layout Standard -I highly recommend doing a complete read of the manual and becoming very familiar with appendices A and B. -\end_layout - -\begin_layout Section -Website -\end_layout - -\begin_layout Standard -The website -\begin_inset CommandInset href -LatexCommand href -name "reaclassical.org" -target "https://reaclassical.org" -literal "false" - -\end_inset - - serves as the entry point for new users. - From here you can read about key features, - donate to the cause, - read this PDF manual, - installation instructions, - navigate to the ReaClassical community thread and more. -\end_layout - -\begin_layout Section -REAPER Community -\end_layout - -\begin_layout Standard -The -\begin_inset CommandInset href -LatexCommand href -name "community thread" -target "https://forum.cockos.com/showthread.php?t=265145" -literal "false" - -\end_inset - - plays an important role in the development of ReaClassical. - Not only is it a place for users to suggest feature requests and point out bugs but also discuss more general classical music recording, - mixing and mastering techniques. - It also serves as something of a development blog as I not only announce the regular releases but also document the under-the-surface details for those that are interested. -\end_layout - -\begin_layout Standard -Relatively new is the -\begin_inset CommandInset href -LatexCommand href -name "ReaClassical Discord server" -target "https://discord.gg/Gu2m9ccHGS" -literal "false" - -\end_inset - -. - This is a great place for live support, - general chat, - proposing feature requests, - workflow discussion, - and letting the community know about albums or individual pieces you have created with the help of ReaClassical. -\end_layout - -\begin_layout Section -Ways to Contribute -\end_layout - -\begin_layout Standard -The most important way users can contribute to the development of ReaClassical is to actually use the tools! - It makes me happy to know that engineers can make whole professional-sounding and technically accurate masters from ReaClassical. - Another is to suggest features or let me know about bugs. - You can either do this on the -\begin_inset CommandInset href -LatexCommand href -name "thread" -target "https://forum.cockos.com/showthread.php?t=265145" -literal "false" - -\end_inset - - or via the -\begin_inset CommandInset href -LatexCommand href -name "Issues" -target "https://github.com/chmaha/ReaClassical/issues" -literal "false" - -\end_inset - - page on the ReaClassical GitHub. - Finally, - I'd be glad of any monetary donations. - You can use -\begin_inset CommandInset href -LatexCommand href -name "PayPal" -target "https://www.paypal.com/donate/?hosted_button_id=PKJLC3E2UPW6C" -literal "false" - -\end_inset - -, - -\begin_inset CommandInset href -LatexCommand href -name "Liberapay" -target "https://liberapay.com/reaclassical/" -literal "false" - -\end_inset - - or -\begin_inset CommandInset href -LatexCommand href -name "Stripe" -target "https://donate.stripe.com/00g5mydzCftQdpeaEE" -literal "false" - -\end_inset - - to do so. - -\end_layout - -\begin_layout Section -Spread the Word! -\end_layout - -\begin_layout Standard -If you've enjoyed using ReaClassical in your projects, - I'd be incredibly grateful if you could mention it in your album booklets, - social media video descriptions, - or anywhere you typically include session details. - A simple acknowledgment alongside your usual credits helps spread the word and supports the continued development of the tool. -\end_layout - -\begin_layout Section -Buy ReaClassical -\nospellcheck on -Merch -\end_layout - -\begin_layout Standard -Get print-on-demand ReaClassical -\nospellcheck on -merch -\nospellcheck default - like shirts, - mugs, - totes, - pins, - stickers and more through my -\begin_inset CommandInset href -LatexCommand href -name "TeePublic store" -target "https://www.teepublic.com/user/reaclassical" -literal "false" - -\end_inset - -! -\end_layout - -\begin_layout Section -Source Code -\end_layout - -\begin_layout Standard -The source code for ReaClassical, - the mastering grade -\begin_inset Quotes bld -\end_inset - -RC -\begin_inset Quotes brd -\end_inset - - plugins, - this manual and the website can all be found -\begin_inset CommandInset href -LatexCommand href -name "here" -target "https://github.com/chmaha/ReaClassical" -literal "false" - -\end_inset - -. - ReaClassical is -\begin_inset CommandInset href -LatexCommand href -name "GPL-3.0" -target "https://www.gnu.org/licenses/gpl-3.0.html" -literal "false" - -\end_inset - - licensed. -\end_layout - -\begin_layout Section -Development Style -\end_layout - -\begin_layout Standard -Due to working on GitHub and releasing the functions via ReaPack, - I have the ability to push bugfixes and new features very quickly into an existing ReaClassical install. - Often bugfixes happen within minutes or hours of receiving the report. - When I dream up new features, - the development often happens in rapid fashion over the course of a few days. - However, - now that ReaClassical has what I consider a mature feature set, - I foresee maintenance and occasional bugfixes becoming more central to the process. - This will give me more opportunity to work on this documentation, - a complete video tutorial series etc. - Part of development is also ensuring that ReaClassical continues to operate as expected with the latest REAPER versions. - That's not to say there won't be new features appearing! - As the REAPER developers add more new features, - I will always check to see what might be useful for ReaClassical. - -\end_layout - -\begin_layout Section -Versioning Style -\end_layout - -\begin_layout Standard -ReaClassical currently uses YY.M.MICRO versioning (where M is a non-padded month) to accurately reflect how current the software is. - For example, - 25.6.2 would indicate a June 2025 release with 2 patches or bugfixes. - -\end_layout - -\begin_layout Section -Tools and Languages -\end_layout - -\begin_layout Standard -ReaClassical works on top of -\begin_inset CommandInset href -LatexCommand href -name "REAPER" -target "https://www.reaper.fm/" -literal "false" - -\end_inset - -, - the digital audio workstation and utilizes -\begin_inset CommandInset href -LatexCommand href -name "ReaPack" -target "https://reapack.com/" -literal "false" - -\end_inset - - and -\begin_inset CommandInset href -LatexCommand href -name "SWS Extensions" -target "https://www.sws-extension.org/index.php" -literal "false" - -\end_inset - -. - ReaClassical functions are coded using -\begin_inset CommandInset href -LatexCommand href -name "Lua" -target "https://www.lua.org/" -literal "false" - -\end_inset - -. - The installers for MacOS and Linux are shell scripts. - The Windows installers are coded in -\begin_inset CommandInset href -LatexCommand href -name "Go" -target "https://go.dev/" -literal "false" - -\end_inset - -. - The ReaClassical and Quick Start Guide websites use -\begin_inset CommandInset href -LatexCommand href -name "Skeleton" -target "http://getskeleton.com/" -literal "false" - -\end_inset - -. - All coding is done either in -\nospellcheck on -REAPER's -\nospellcheck default - -\nospellcheck on -ReaScript -\nospellcheck default - Development Environment, - -\begin_inset CommandInset href -LatexCommand href -name "vscode" -target "https://code.visualstudio.com/" -literal "false" - -\end_inset - - or -\begin_inset CommandInset href -LatexCommand href -name "gedit" -target "https://gedit-technology.github.io/apps/gedit/" -literal "false" - -\end_inset - - on Linux. - The manual is written in \SpecialChar LyX - ( -\begin_inset CommandInset href -LatexCommand href -name "lyx.org" -target "https://www.lyx.org/" -literal "false" - -\end_inset - -) with the covers designed in -\begin_inset CommandInset href -LatexCommand href -name "LibreOffice" -target "https://www.libreoffice.org/" -literal "false" - -\end_inset - - Draw. - The ReaClassical splash screen and banner are created in -\begin_inset CommandInset href -LatexCommand href -name "GIMP" -target "https://www.gimp.org/" -literal "false" - -\end_inset - -. -\end_layout - -\begin_layout Section -Keyboard Shortcuts -\end_layout - -\begin_layout Standard -When providing keyboard shortcuts, - this manual assumes Windows or Linux as the operating system when modifier keys are used. - MacOS users should use the typical standard substitutions. - If in doubt, - open up the actions menu via keyboard shortcut -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{?} -\end_layout - -\end_inset - - or by navigating to -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{Actions > Show action list...} -\end_layout - -\end_inset - - to see the current assignments. - For reference (from REAPER's own user guide), - here is a table of equivalent modifier keys: -\end_layout - -\begin_layout Standard -\align center -\begin_inset Tabular - - - - - - -\begin_inset Text - -\begin_layout Plain Layout - -\noun on -PC (Windows or Linux) Key -\end_layout - -\end_inset - - -\begin_inset Text - -\begin_layout Plain Layout - -\noun on -Mac (MacOS) Key Equivalent -\end_layout - -\end_inset - - - - -\begin_inset Text - -\begin_layout Plain Layout -Shift -\end_layout - -\end_inset - - -\begin_inset Text - -\begin_layout Plain Layout -Shift -\end_layout - -\end_inset - - - - -\begin_inset Text - -\begin_layout Plain Layout -Control (Ctrl) -\end_layout - -\end_inset - - -\begin_inset Text - -\begin_layout Plain Layout -Command (Cmd) -\end_layout - -\end_inset - - - - -\begin_inset Text - -\begin_layout Plain Layout -Alt -\end_layout - -\end_inset - - -\begin_inset Text - -\begin_layout Plain Layout -Option -\end_layout - -\end_inset - - - - -\begin_inset Text - -\begin_layout Plain Layout -Windows -\end_layout - -\end_inset - - -\begin_inset Text - -\begin_layout Plain Layout -Control -\end_layout - -\end_inset - - - - -\end_inset - - -\end_layout - -\begin_layout Section -Changelog -\end_layout - -\begin_layout Standard -The changelog for ReaClassical functions can be found by double-clicking on the ReaClassical package in ReaPack and navigating to the -\begin_inset Quotes bld -\end_inset - -History -\begin_inset Quotes brd -\end_inset - - tab. - Whenever you sync ReaPack via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{Extensions > ReaPack > Synchronize packages} -\end_layout - -\end_inset - - or the ReaClassical_Updater function, - this information should also appear automatically. - For all updates including those not related to the functions themselves, - a changelog can be found in the -\begin_inset CommandInset href -LatexCommand href -name "release notes" -target "https://github.com/chmaha/ReaClassical/raw/main/release_notes.pdf" -literal "false" - -\end_inset - -. -\end_layout - -\begin_layout Standard -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Part -Installation & Updates -\end_layout - -\begin_layout Section -\noindent -Install -\end_layout - -\begin_layout Subsection -\noindent -Easy Complete Portable Installation (recommended) -\end_layout - -\begin_layout Enumerate -Follow the installation instructions -\begin_inset CommandInset href -LatexCommand href -name "here" -target "https://github.com/chmaha/ReaClassical/blob/main/install_instructions.md" -literal "false" - -\end_inset - - or in the -\begin_inset Quotes bld -\end_inset - -Installation & Update -\begin_inset Quotes brd -\end_inset - - section of the -\begin_inset CommandInset href -LatexCommand href -name "Quick Start Guide" -target "https://reaclassical.org/quick_start_guide.html" -literal "false" - -\end_inset - -. - Simply run where you would like the ReaClassical folder to be created. - -\end_layout - -\begin_layout Enumerate -Start REAPER/ReaClassical. -\end_layout - -\begin_layout Enumerate -Follow the update instructions -\begin_inset CommandInset ref -LatexCommand vpageref -reference "subsec:Updating" -plural "false" -caps "false" -noprefix "false" -nolink "false" - -\end_inset - - to get the latest and greatest versions of the ReaClassical functions, - toolbar and keymap. -\end_layout - -\begin_layout Standard -Note that if the ReaClassical folder already exists, - the installer will automatically add a unique suffix to ensure nothing is overwritten. -\end_layout - -\begin_layout Subsection -\noindent -Just The Scripts and Plugins? -\end_layout - -\begin_layout Standard -Install both -\begin_inset CommandInset href -LatexCommand href -name "ReaPack" -target "https://reapack.com/" -literal "false" - -\end_inset - - and latest -\begin_inset CommandInset href -LatexCommand href -name "bleeding edge SWS Extensions" -target "https://www.sws-extension.org/download/pre-release/" -literal "false" - -\end_inset - - if you haven't already. - -\end_layout - -\begin_layout Standard -Import my -\begin_inset CommandInset href -LatexCommand href -name "index.xml" -target "https://github.com/chmaha/ReaClassical/raw/main/index.xml" -literal "false" - -\end_inset - - into ReaPack (see the -\begin_inset CommandInset href -LatexCommand href -name "ReaPack user guide" -target "https://reapack.com/user-guide#import-repositories" -literal "false" - -\end_inset - - if you are unsure how) and search for -\begin_inset Quotes bld -\end_inset - -ReaClassical -\begin_inset Quotes brd -\end_inset - - for the ReaClassical metapackage and -\begin_inset Quotes bld -\end_inset - -RCPlugs -\begin_inset Quotes brd -\end_inset - - for the classical jsfx plugins. - Note that out of the box this does -\emph on -not -\emph default - give you the full benefits of ReaClassical which include keyboard shortcuts, - custom toolbar etc but does include ReaClassical themes and a project template which you should use when doing classical editing. - It's an easy way to start if you are already familiar with ReaPack and SWS and want to check out source-destination editing etc. - Note that you -\emph on -do -\emph default - need SWS installed for the functions to work as expected. - You can follow the update instructions -\begin_inset CommandInset ref -LatexCommand vpageref -reference "subsec:Updating" -plural "false" -caps "false" -noprefix "false" -nolink "false" - -\end_inset - - to grab the custom toolbar and keymap but please heed the warning about using the ReaClassical_Updater function as answering 'yes' to either of the questions will overwrite configuration files. -\end_layout - -\begin_layout Subsection -\noindent -Manual Installation & Tweaks -\end_layout - -\begin_layout Standard -\noindent -For a manual installation (ideally for educational value only or if you already have a heavily-customized REAPER setup and wish to add all or just parts of ReaClassical) see Appendix E. -\end_layout - -\begin_layout Section -Update -\end_layout - -\begin_layout Subsection -\noindent -\begin_inset CommandInset label -LatexCommand label -name "subsec:Updating" - -\end_inset - -Updating an Existing ReaClassical Portable Install -\end_layout - -\begin_layout Standard -To update just the functions, - use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{Extensions > ReaPack > Synchronize packages} -\end_layout - -\end_inset - -. - To update the functions and also update/reset the custom toolbar and keymaps to be in line with a standard ReaClassical portable install, - run the handy ReaClassical_Updater function via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+U} -\end_layout - -\end_inset - - . - This will sync ReaPack to get the latest ReaClassical functions then offer to overwrite your toolbars and keymaps with ReaClassical portable install defaults. - -\series bold -DON'T do this if you have your own custom toolbars or keyboard shortcuts as they will be overwritten! - -\series default -However, - as of 24.8.7 any files will first be backed up (e.g. - -\emph on -reaper-kb.ini.backup -\emph default -). - Obviously if you run the updater twice before recovering them you will lose your original files. -\end_layout - -\begin_layout Subsection -Updating REAPER -\end_layout - -\begin_layout Standard -Simply use the shortcut -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+U} -\end_layout - -\end_inset - - to open the REAPER update utility. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status collapsed - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/reaper_update_utility.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -REAPER Update Utility -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -Either click on the main or pre-release version you are interested in or click on one of the clock icons to select from previous releases. - Despite the REAPER developers having a track record of excellent compatibility across even major versions, - I recommend sticking with the tested version of REAPER noted -\begin_inset CommandInset href -LatexCommand href -name "here" -target "https://raw.githubusercontent.com/chmaha/ReaClassical/main/tested_reaper_ver.txt" -literal "false" - -\end_inset - - to minimize any issues of compatibility. -\end_layout - -\begin_layout Standard -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Part -\noindent -\align left -ReaClassical Workflows -\end_layout - -\begin_layout Section -Creating & Setting Up a Project -\end_layout - -\begin_layout Standard -When you start REAPER/ReaClassical from a default portable install, - you'll see an empty project with ReaClassical project defaults. - The first thing you should do is save it via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+S} -\end_layout - -\end_inset - -. -\end_layout - -\begin_layout Subsection -Theme -\end_layout - -\begin_layout Standard -The ReaClassical theme is loaded by default. - It looks almost exactly like the default REAPER theme. - If you'd like to switch to one of several other custom themes, - you can do so via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{Options > Themes} -\end_layout - -\end_inset - -. - -\begin_inset Quotes bld -\end_inset - -ReaClassical Light -\begin_inset Quotes brd -\end_inset - - is similar to the default but uses lighter waveforms and peak edging. - The two -\begin_inset Quotes bld -\end_inset - -WaveColors -\begin_inset Quotes brd -\end_inset - - themes apply coloring only to the waveforms with option for dark or light item backgrounds. -\end_layout - -\begin_layout Subsection -Project Settings -\end_layout - -\begin_layout Standard -You can open the project settings by pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{P} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - -Project Settings -\begin_inset Quotes brd -\end_inset - -) You shouldn't need to change any settings here. - By default, - render resampling is set to the highest quality using r8brain free. - Media is saved to a -\begin_inset Quotes bld -\end_inset - -media -\begin_inset Quotes brd -\end_inset - - subfolder. - The default recording format is 24-bit wave files but you can set to 32-bit float if using a portable recorder with that capability. - Video frame rate is set to 75 to align with the number of frames per second for an audio CD. - You can, - of course, - fill in the -\begin_inset Quotes bld -\end_inset - -notes -\begin_inset Quotes brd -\end_inset - - section with a title, - author and notes as desired. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\align center -\begin_inset Graphics - filename user_guide_images/project prefs.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -REAPER Project Settings -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Audio Settings -\end_layout - -\begin_layout Standard -Click on the audio information in the top right of the window or via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{O} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - -options -\begin_inset Quotes brd -\end_inset - -) navigating to -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{Audio > Device} -\end_layout - -\end_inset - -. - These settings are operating system dependent. - Choice of blocksize etc is also dependent on need and how modern and/or optimized your system is. - For general microphone setup, - device and recording settings specifically for classical music etc I recommend referring to one or more of the following: - -\end_layout - -\begin_layout Itemize - -\emph on -Classical Recording: - A Practical Guide in the Decca Tradition -\emph default -\noun on - -\noun default -by Haigh, - Dunkerley & Rogers -\end_layout - -\begin_layout Itemize - -\emph on -Recording Orchestra and Other Classical Music Ensembles -\emph default - by Richard King -\end_layout - -\begin_layout Itemize - -\emph on -Recording Classical Music -\emph default - by Robert Toft -\end_layout - -\begin_layout Itemize -For a more detailed look at mastering (for any genre of music), - I highly recommend -\emph on -Mastering Audio: - The Art and the Science -\emph default - by Bob Katz. - -\end_layout - -\begin_layout Subsection -ReaClassical Preferences -\end_layout - -\begin_layout Standard -Pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - brings up the ReaClassical Preferences dialog. - The first line sets the crossfade length in milliseconds for all source-destination editing. - The next three lines are for -\begin_inset CommandInset href -LatexCommand href -name "DDP" -target "https://en.wikipedia.org/wiki/Disc_Description_Protocol" -literal "false" - -\end_inset - - creation. - The defaults are for a 200ms track offset (to account for older CD players that couldn't play audio immediately after a track search), - the INDEX0 length in seconds for when to start a CD player -\begin_inset Quotes bld -\end_inset - -countdown -\begin_inset Quotes brd -\end_inset - - display to the next track (a fun visual trick that is, - of course, - completely irrelevant for purely digital releases) and, - finally, - the album lead-out time in seconds (essentially the time on a car CD player before the disc returns to the beginning again). - There is a setting for the Prepare Takes function to either use the old random coloring method or the newer color scheme that uses blues for destination material and greens for source material. - The user can change the checking range (distance beyond an item edge/fade or crossfade) when placing destination IN and OUT markers. - Setting to 0 would just check if the marker would be placed -\emph on -inside -\emph default - a item fade or crossfade. - If the reference track is set as overdub guide, - it will be audible during classical take recording and auditioning which is extremely useful for overdub recording of material after the main session such as a symphonic organ part or narration. - Next, - you can set -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - -, -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - -, -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - -, - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - to add markers at the mouse hover position vs edit cursor. - In this mode, - you can also enter the fade editor by hovering of the right-hand items of a crossfaded pair and pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - -. - Finally, - you can set the custom playback rate when auditioning via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+A} -\end_layout - -\end_inset - -. - There will be more on these settings in subsequent sections of the manual. - If you are unfamiliar with these concepts, - I recommend a quick internet search! - If in doubt, - just use the default values. - It is worth noting that these preferences are set per project. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\align center -\begin_inset Graphics - filename user_guide_images/RC Prefs.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -ReaClassical Preferences -\end_layout - -\end_inset - - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Choice of Workflow -\end_layout - -\begin_layout Standard -The choice between what I refer to as -\begin_inset Quotes bld -\end_inset - -vertical -\begin_inset Quotes brd -\end_inset - - or -\begin_inset Quotes bld -\end_inset - -horizontal -\begin_inset Quotes brd -\end_inset - - workflows will depend somewhat on the complexity of the project. - For a quick editing session of, - say, - a choral piece or short self-standing orchestral piece, - a horizontal approach will suffice. - For a well-drilled ensemble recording session, - I can recommend using the vertical approach. - Many classical engineers enjoy using a horizontal approach for recording (potentially the least disruptive and making use of the Take Counter window -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Ctrl + -\backslash -return} -\end_layout - -\end_inset - -) and then either sticking with that for editing (also taking advantage of the extremely useful Find Take -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -return} -\end_layout - -\end_inset - - and Jump to Time -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -tab} -\end_layout - -\end_inset - - functions) or, - depending on the number of takes, - converting to a vertical workflow. - Frankly, - there are benefits to both routes, - and in the end, - it simply comes down to personal preference. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\align center -\begin_inset Graphics - filename user_guide_images/take counter.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Take Counter -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\align center -\begin_inset Graphics - filename user_guide_images/find take.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Find Take -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsubsection -Vertical Workflow -\end_layout - -\begin_layout Standard -In this approach, - the source and destination track groups are aligned vertically so that the user doesn't have to shuttle back and forth in the arrange window for placing source-destination markers. - -\end_layout - -\begin_layout Standard - -\series bold -When Recording material: - -\series default - To begin with a vertical workflow, - you could actually use a horizontal workflow approach -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - to set up just a single group and record left to right. - After recording is complete, - and you are ready for editing, - you could convert to a vertical workflow via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - -. - Alternatively, - you can press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - for project creation and start immediately with a vertical setup with one -\begin_inset Quotes bld -\end_inset - -destination -\begin_inset Quotes brd -\end_inset - - group and six -\begin_inset Quotes bld -\end_inset - -source -\begin_inset Quotes brd -\end_inset - - groups. - In either setup, - and whether recording or importing, - simply type in the total number of stereo and mono microphone inputs you need, - enter track names and optionally auto set recording inputs based on track names. - I highly recommend using the first track for the main stereo pair. - -\end_layout - -\begin_layout Standard - -\series bold -When importing material: - -\series default - To begin with a vertical workflow, - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - to set up a destination track group and six source groups (don't worry, - it's easy to add more if you need them!). - Simply type in the number of stereo and mono microphone inputs you need, - enter track names and then answer -\begin_inset Quotes bld -\end_inset - -no -\begin_inset Quotes brd -\end_inset - - to auto setting recording inputs. - I highly recommend using the first track for the main stereo pair. - -\end_layout - -\begin_layout Standard -As mentioned above, - the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - function creates six source groups based off the destination track group, - and creates a single set of mixer tracks that are shared by the groups. - Use these to control volume, - panning, - polarity, - sends and FX across all takes. - The function also sets up media item and razor editing grouped by folder. - If you need more than the six source groups, - simply create them on the fly with the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - - shortcut, - but note that using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - (Classical Take Record) creates a new source group as needed after each recording. -\end_layout - -\begin_layout Standard -A typical scenario: - You have vertically recorded, - or vertically prepared, - multiple takes of a concerto movement with 10 channels. - You realize halfway through editing that you want the soloist’s microphone to be brought up in volume a little and also panned slightly more to the right to match the position in the main stereo pair. - Simply make the change once on the equivalent mixer track! -\end_layout - -\begin_layout Subsubsection -Horizontal Workflow -\end_layout - -\begin_layout Standard -In this approach, - there is a single track or single group of tracks with the source and destination material laid out from left to right. - As mentioned above, - for shorter pieces of music this is often a perfectly acceptable approach. - With the introduction of the Find Take, - Jump to Time and Take Counter functions, - many might now prefer this workflow. -\end_layout - -\begin_layout Standard -To begin a horizontal workflow, - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - to set up a track group also with mixer tracks (for making changes to volume, - pan, - polarity, - sends and FX). - Whether recording or importing, - simply type in the number of tracks or microphone inputs you need, - enter the track names then optionally auto set recording inputs based on track names. - I highly recommend using the first track for the main stereo pair. - In the event you are making a simple stereo recording, - just create a track group consisting of two tracks and leave the child track empty and hidden via pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{E} -\end_layout - -\end_inset - - on the parent track. -\end_layout - -\begin_layout Standard -If you wish to convert to a vertical workflow, - simply press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - to create six new source groups. - If you accidentally switch to a vertical workflow via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - - (duplicate folder) or similar, - simply undo via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+Z} -\end_layout - -\end_inset - - and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - to set the project to a horizontal workflow again. -\end_layout - -\begin_layout Subsubsection -Auto Set Recording Inputs / Add Special Tracks -\end_layout - -\begin_layout Standard -As part of initial workflow setup, - you are asked if you'd like to auto set recording inputs based on track names. - Essentially, - if you'd like your track to have a stereo input use words like -\begin_inset Quotes bld -\end_inset - -pair -\begin_inset Quotes brd -\end_inset - - or -\begin_inset Quotes bld -\end_inset - -stereo -\begin_inset Quotes brd -\end_inset - - (in your own language if you wish!) as part of the name. - Otherwise, - it will be treated as a mono input. - For example, - -\begin_inset Quotes bld -\end_inset - -ORTF Pair -\begin_inset Quotes brd -\end_inset - -, - -\begin_inset Quotes bld -\end_inset - -Violin Spot 2ch -\begin_inset Quotes brd -\end_inset - -, - and -\begin_inset Quotes bld -\end_inset - -Omni Outrigger Stereo -\begin_inset Quotes brd -\end_inset - - will all be treated as needing a stereo input. - The function uses the maximum available hardware inputs after which it disables recording input. - You will see a report of assignments with the option to revert to previous settings. - You can run this as a standalone function at any time via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+F9} -\end_layout - -\end_inset - -. -\end_layout - -\begin_layout Standard -Also, - as part of the initial workflow setup, - you are asked if you'd like to add any special tracks (aux, - submix, - roomtone, - reference). - This is useful if you are setting up an editing/mastering project with pre-recorded material. -\end_layout - -\begin_layout Subsubsection -Manually Naming Tracks -\end_layout - -\begin_layout Standard -If you didn't name tracks as part of the initial workflow setup, - you only need to add track names to the mixer tracks in the mixer panel and then pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - will auto-populate the same names to all regular track groups. - While re-naming don't worry about keeping the -\begin_inset Quotes bld -\end_inset - -M: -\begin_inset Quotes brd -\end_inset - - prefix. - On sync, - it will be restored. - ReaClassical automatically adds Source and Destination prefixes to your chosen track names and are auto-renumbered whenever functions affecting the number of source folders are run (Vertical Workflow -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - -, - Duplicate Folder -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - -, - and Classical Take Record -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - -). - Tip: - Avoid using any colons in your track names and the auto prefixing will work as expected. - -\end_layout - -\begin_layout Standard -\begin_inset Box Boxed -position "t" -hor_pos "c" -has_inner_box 1 -inner_pos "t" -use_parbox 0 -use_makebox 0 -width "100col%" -special "none" -height "1in" -height_special "totalheight" -thickness "0.4pt" -separation "3pt" -shadowsize "4pt" -framecolor "default" -backgroundcolor "none" -status open - -\begin_layout Plain Layout -As you will discover, - based on which workflow chosen, - you can use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - at any point during project work to (re)create project routing, - propagate track-naming based on the mixer tracks, - sync record inputs and track lock states. - Various ReaClassical functions use the same synchronization under the hood. -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsubsection -The Single Mixer & -\begin_inset Quotes bld -\end_inset - -RCMASTER -\begin_inset Quotes brd -\end_inset - - bus -\end_layout - -\begin_layout Standard -Whatever your workflow preference, - as of 24.10, - all audio is routed through a special dedicated mixer tracks leading to an RCMASTER bus. - This allows for independent volume adjustments on the parent track which is generally used for the main microphone pair. - Converting your projects made with an earlier version of ReaClassical is easy. - Simply run -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - for horizontal workflows or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - for vertical workflows. - The new mixer tracks and bus will be created and all routing taken care of. - Any existing track panel settings (including sends and FX) from the first group are automatically transferred to the mixer tracks. -\end_layout - -\begin_layout Standard -Any and all track setting changes (track naming, - volume, - pan, - phase, - FX, - sends to @aux tracks, - routing to #submixes etc) happen in the mixer tracks. - This is identical to the way that Pyramix works with a single mixer being fed by all the source groups. - The mixer tracks are always visible in the mixer panel and identified by track names that start with -\begin_inset Quotes bld -\end_inset - -M: -\begin_inset Quotes brd -\end_inset - -. - Running -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - will synchronize the track names from the mixer tracks across the whole project. - -\end_layout - -\begin_layout Standard -The basic rule is to not delete these special tracks. - But, - if you do by accident, - don't worry. - Try to undo via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+Z} -\end_layout - -\end_inset - -. - In in the highly unlikely event that doesn't work, - simply run -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - again and the mixer tracks will be restored (although any custom routing and automation will be lost). - It is also worth noting that aux, - submix and roomtone tracks now automatically route through RCMASTER on creation and are also automatically updated when older projects are -\begin_inset Quotes bld -\end_inset - -upgraded -\begin_inset Quotes brd -\end_inset - -. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\align center -\begin_inset Graphics - filename user_guide_images/mixer panel.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -A ReaClassical Mixer Panel -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Section -Recording -\end_layout - -\begin_layout Standard -Now that you have decided on a workflow, - we can start recording! -\end_layout - -\begin_layout Subsection -Manually Setting Inputs -\end_layout - -\begin_layout Standard -See above for the ReaClassical approach to auto setting recording inputs based on track names. - There are also multiple ways to manually set recording inputs. - First, - you can left-click on the meter part of the track panel. - Second, - you can press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -Alt+R} -\end_layout - -\end_inset - - to open the routing matrix. - Once you have set the inputs for the first group, - and you chose a vertical approach, - simply press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - to sync these settings to all source groups. -\end_layout - -\begin_layout Subsection -Headroom -\end_layout - -\begin_layout Standard -Again, - I refer you to the books on classical music production but in general I suggest aiming for around -12dB peaks on the meters. - 24-bit recording allows for a lot of headroom so there's no need to push close to 0dB. - Adjust the individual faders to balance. - Note that in a vertical workflow moving a fader will automatically move the corresponding fader in the other groups too making same-volume auditioning of different takes extremely easy. - When using a 32-bit float device with dual AD converters as an interface (such as the Zoom F-series), - ensure that the recording file format is switched to 32-bit float via project preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{P} -\end_layout - -\end_inset - -. - The recorded levels might seem too low or too high during recording, - but they can be easily adjusted afterward in ReaClassical without introducing any extra noise or distortion. -\end_layout - -\begin_layout Subsection -Classical Take Recording -\end_layout - -\begin_layout Standard -Select the parent or child track of a track group and then press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - to begin -\begin_inset Quotes bld -\end_inset - -classical -\begin_inset Quotes brd -\end_inset - - take recording mode. - If the track group isn't already record-armed (probably the case before you start your first recording of the session), - the function will first simply record-arm the whole group so you can usefully monitor incoming signal. - On a subsequent press of -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - recording begins. - To stop recording, - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - again. - In horizontal workflow, - the key press will maintain record arming and will begin recording on a subsequent press. - In vertical workflow, - this key press also automatically moves to, - solos and arms the next available group so that recording can begin immediately on the next button press. - ReaClassical will automatically create new groups as required. - To manually add more destination groups when not recording, - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - -. - To pause and unpause a recording without starting a new take, - toggle the pause button in the transport or use the shortcut -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -space} -\end_layout - -\end_inset - - (spacebar). - To quickly increment the take number during recording use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+F9} -\end_layout - -\end_inset - - but note that this should only be used during moments of silence (i.e. - inbetween quickfire session takes) as it creates a new recorded item. - During this mode you should use the Takes Counter window -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -enter} -\end_layout - -\end_inset - - to track the upcoming take number (in green) and take number during recording (in red with recording circle). - You can right-click on the window to optionally override the automatic numbering and set a take number to increment from in addition to optionally setting a session name to act as media subfolder (which is automatically recalled when the window is reopened). - You can left-click to recalculate the track count if you have removed some unused files from the project path. - The calculated upcoming take number factors in unused files in the project path so as to avoid any file-naming conflicts. - With manual override off (=0), - switching back to an existing session will also automatically set the correct incoming take number. - Please read the description of the function in Appendix A for best practices. -\end_layout - -\begin_layout Standard -Once recording is complete, - you can briefly use the audition function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - which will instantly remove all record-arming from tracks. -\end_layout - -\begin_layout Subsection -Take Ranking -\end_layout - -\begin_layout Standard -During or after recording, - you can rank one or more recorded takes. - Use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+=} -\end_layout - -\end_inset - - to rank higher, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+-} -\end_layout - -\end_inset - - to rank lower, - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+0} -\end_layout - -\end_inset - - to remove any ranking. - If no item is selected, - the last recorded item (along with other items in the same group) are affected. - Otherwise, - you can select one or more parent items. - The ranking system uses a series of colors and a scale system of plusses and minuses (+/-) added as a suffix to the item name up to a maximum of three symbols. - This allows for seven different rankings. - Positive rankings are 3 intensities of green (good, - very good, - excellent), - negative rankings are yellow, - orange, - red (below average, - poor, - unusable), - with neutral (no ranking) using the default item color. -\end_layout - -\begin_layout Subsection -Recording Safety -\end_layout - -\begin_layout Standard -When using the take counter for recording (highly recommended!), - there is increased safety when using classical take recording ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - -) via the automatic switch to a restricted set of keyboard shortcuts. - In addition to stopping the recording via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - and record-pausing, - you can rank takes and use various zoom shortcuts. - Note that you can still click on the transport buttons. - In a future version of ReaClassical an even more robust recording safety feature will take the form of an optional unlock button. -\end_layout - -\begin_layout Subsection -Scheduled Recording -\end_layout - -\begin_layout Standard -To start (and optionally end) a recording at specific times or manually start a recording to end at a certain time or after a certain duration, - right-click on the take counter window and add the appropriate entry or entries in HH:MM format. - After pressing OK, - the take counter window will display information to the right of the take number. - If you enter a start or end time earlier or equal to the current time, - the function will assume a next day schedule and will annotate the time with an asterisk (*). - Likewise, - with both a start and end time, - if the end time is earlier than or equal to start, - it will assume a time 24 hours later. - Don't forget to arm your tracks before walking away! -\end_layout - -\begin_layout Subsection -Overdub Recording -\end_layout - -\begin_layout Standard -To record additional material after the fact (say a separate narration track or an organ part in a church after the main recording session in a concert hall), - edit the orchestral material as usual and use a mixdown as a guide track in a new project (or new project tab). - To achieve this, - use a vertical workflow via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - -, - add a REF track -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{'} -\end_layout - -\end_inset - - and set the ReaClassical Preferences option -\begin_inset Quotes bld -\end_inset - -REF = Overdub Guide -\begin_inset Quotes brd -\end_inset - - to -\begin_inset Quotes bld -\end_inset - -1 -\begin_inset Quotes brd -\end_inset - - ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -). - With this setting, - audio on the guide track will be audible during take recording and auditioning of folders. - Use Classical Take Recording -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - and Take Counter window -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -enter} -\end_layout - -\end_inset - - as normal. - You can then S-D edit and mix the overdub material to fit with the orchestral mixdown or, - if further mixing and mastering work is required on the original multi-track material, - bring the organ part into that project as a new track in the destination folder -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+T} -\end_layout - -\end_inset - - (see below). -\end_layout - -\begin_layout Subsection -Manipulating Tracks During a Recording Session -\end_layout - -\begin_layout Subsubsection -Disabling Channels -\end_layout - -\begin_layout Standard -In a typical recording session, - the musicians with the least to record are often allowed to leave the session early once their work is completed. - If they were individually recorded using a spot microphone, - it wouldn't make sense to continue recording on that channel. - In ReaClassical there are two main ways to disable a channel. - In a horizontal workflow using a single folder, - it is no hassle to simply un-arm the desired track(s). - For a vertical workflow with multiple folders, - the task could end up being time-consuming with potential for error. - So, - the recommended ReaClassical way, - both easy and visually obvious, - is to select the desired tracks in the destination group, - right click and choose -\begin_inset Quotes bld -\end_inset - -lock track controls -\begin_inset Quotes brd -\end_inset - -. - The tracks are then grayed out. - Then sync using F8 and the same tracks are locked in every group. - Whether or not the tracks were previously record-armed, - those tracks will no longer be involved in the recording. -\end_layout - -\begin_layout Subsubsection -Adding a New Microphone Mid-Recording Session -\end_layout - -\begin_layout Standard -As of ReaClassical 24.9 you can add a track to all folders in the project at once by using the shortcut -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+T} -\end_layout - -\end_inset - -. - It will prompt you for a name and then add a new track with that name to the end of each group. - This also works for a single folder while working in a horizontal workflow. -\end_layout - -\begin_layout Subsubsection -Deleting tracks -\end_layout - -\begin_layout Standard -In both horizontal and vertical workflows, - you can use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -shift+ -\backslash -del} -\end_layout - -\end_inset - - on a selected mixer track to quickly delete associated child tracks from all the groups of the project. -\end_layout - -\begin_layout Subsubsection -Re-ordering tracks -\end_layout - -\begin_layout Standard -In both horizontal and vertical workflows, - you can re-order the mixer tracks by dragging followed by a -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - sync to quickly re-order all the associated tracks across groups at once. - This includes all audio and assigned recording inputs. -\end_layout - -\begin_layout Subsection -Audio Calculator -\end_layout - -\begin_layout Standard -To figure out required disk space for a duration of audio or vice versa to figure out maximum duration of audio you can record based on available disk space, - use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+H} -\end_layout - -\end_inset - - to open a browser-based offline calculator. - You can set units, - channel count, - -\nospellcheck on -samplerate -\nospellcheck default -, - bit depth and format (WAV or MP3 at various bitrates). -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status collapsed - -\begin_layout Plain Layout -\align center -\begin_inset Graphics - filename user_guide_images/audio calc.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Audio Calculator -\end_layout - -\end_inset - - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Section -Importing -\end_layout - -\begin_layout Standard -Read this section if you recorded using a different DAW, - portable recorder or are acting solely as editor and have the audio ready to import into ReaClassical. - -\end_layout - -\begin_layout Subsection -Importing Media -\end_layout - -\begin_layout Standard -Set up the horizontal or vertical workflow as desired. - Then either drag the audio into the REAPER window or select -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{Insert > Media file...} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -For classical music purposes, - you can then choose whether to insert in the same time position on separate tracks or sequentially on a single track. - For recordings with multiple takes using separate files, - I recommend inserting/dragging one take at a time onto separate tracks on either the source group or first destination group. - Once everything is imported you can then drag sets of tracks to the different source groups as desired. - If you have a best take that will be the basis of the final edit, - place this on the top destination group tracks. -\end_layout - -\begin_layout Subsection -Multi-Channel Audio Import -\end_layout - -\begin_layout Standard -If you use a portable recorder such as a MixPre, - you might have a multi-channel combined file. - ReaClassical includes a special function for converting these into a stereo pair + mono track set. - Import your multi-channel media using a single regular track (for a horizontal workflow) or multiple regular tracks (for a vertical workflow). - Then, - simply press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F10} -\end_layout - -\end_inset - - (no need to select the items). - Answer yes to the prompt that appears if the first two channels should be treated as stereo interleaved (i.e. - they represent your main pair). - Depending on the choice made, - the number of tracks in the resulting folder(s) will adjust accordingly. - If the user selects ‘no’ to keep all tracks mono, - the folder track is left empty so that the Prepare Takes -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{T} -\end_layout - -\end_inset - - function is able to create a muted guide track (more on this later!). - Then you are given the opportunity to name your tracks. - Obviously if you decide to move to a vertical workflow after exploding using a single track, - you can always use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - to create your source folders then drag the media to where you want them. - If you need to bring in new takes after editing has started, - simply use the function on an empty project tab then copy or cut them into the original project tab into the desired folder on the timeline. -\end_layout - -\begin_layout Section -Navigating a Project -\end_layout - -\begin_layout Standard -In addition to built-in REAPER functions, - ReaClassical uses a series of shortcuts to help you easily navigate your classical project. - Important: - I always make some dedicated time post-recording to get an overview of the recorded material, - tidy up the digital notes I took during the session and perform a backup on an external drive as soon as possible. -\end_layout - -\begin_layout Subsection -Whole Project -\end_layout - -\begin_layout Standard -Use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{`} -\end_layout - -\end_inset - - (backtick) to see the whole project horizontally and/or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+`} -\end_layout - -\end_inset - - to see everything vertically. - I chose to separate these functions because one of the axes (often the vertical) is set exactly how you need for editing and it would be a pain to have the axis reset each time. - You can also go to the start or end of the project by pressing the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Home} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{End} -\end_layout - -\end_inset - - key respectively. - -\end_layout - -\begin_layout Subsection -Finding Takes -\end_layout - -\begin_layout Standard -Use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -return} -\end_layout - -\end_inset - - (enter/return) on the main keyboard or numpad if you have one to quickly search for a take based on the underlying filename of the media item. - This will work for any file-naming system that uses numbers before the file extension such as -\begin_inset Quotes bld -\end_inset - -main_pair-T04.wav -\begin_inset Quotes brd -\end_inset - -, - -\begin_inset Quotes bld -\end_inset - -cello-spot-take_23.flac -\begin_inset Quotes brd -\end_inset - - or even -\begin_inset Quotes bld -\end_inset - -ortf_pair(04).wav such as created by Presonus Studio One. - Note that if the imported or recorded files have zero-padding that is not a problem. - If you have used an item to create an S-D edit, - searching for a take will ignore these items and move directly to the original sources. -\end_layout - -\begin_layout Subsection -Items & Markers -\end_layout - -\begin_layout Standard -You can easily shuffle back and forth between item edges by using the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Q} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{W} -\end_layout - -\end_inset - - keys. - You can move between markers by using the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{,} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{.} -\end_layout - -\end_inset - - keys (by design given on my keyboard they are the same keys that have -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{<} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{>} -\end_layout - -\end_inset - -). - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -tab} -\end_layout - -\end_inset - - (tab) moves the edit cursor to a time within a selected item or items. - -\end_layout - -\begin_layout Subsection -Parents & Children -\end_layout - -\begin_layout Standard -ReaClassical can hide or show children of track groups. - This means that editing multi-track classical music can be as easy as editing a stereo track. - When takes have been prepared (see below), - all edits are automatically synchronized. - Making an edit to the parent track automatically makes the same one to all the children too. - To show hidden children select the parent track and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{D} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - -display -\begin_inset Quotes brd -\end_inset - -). - To hide, - select the parent track and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{E} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - - -\begin_inset CommandInset href -LatexCommand href -name "ensconce" -target "https://www.merriam-webster.com/dictionary/ensconce" -literal "false" - -\end_inset - - -\begin_inset Quotes brd -\end_inset - -). - The other benefit is that a whole set of takes can be displayed vertically in the main editing window without too much effort. - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status collapsed - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/uncollapsed.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Uncollapsed Track Groups -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status collapsed - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/collapsed.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Collapsed Source Groups -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Peaks Display -\end_layout - -\begin_layout Standard -To adjust the visual zoom of wave peaks, - use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyup} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeydown} -\end_layout - -\end_inset - - . - This is purely visual and allows for easier editing of quieter sections. -\end_layout - -\begin_layout Subsection -ReaClassical Toolbar -\end_layout - -\begin_layout Standard -While I designed ReaClassical to be used efficiently with keyboard shortcuts, - there is a custom S-D editing toolbar for those that prefer it. - However I do highly recommend learning the key strokes as you will find your editing speeds improve dramatically. - The floating toolbar is visible by default on a new portable install. - To open or close, - use the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F6} -\end_layout - -\end_inset - - shortcut. -\end_layout - -\begin_layout Standard -\noindent -\align left -\begin_inset Float figure -placement H -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/classical toolbar.png - width 75line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -\begin_inset CommandInset label -LatexCommand label -name "classical-toolbar-1" - -\end_inset - -ReaClassical custom toolbar -\end_layout - -\end_inset - - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -From left to right, - we have: - Destination IN and OUT markers ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - -), - Source IN and OUT markers ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - -), - Delete S-D markers ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -del} -\end_layout - -\end_inset - -), - S-D Edit ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - -), - 3-point -\begin_inset Quotes bld -\end_inset - -Assembly Line -\begin_inset Quotes brd -\end_inset - - Edit ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F3} -\end_layout - -\end_inset - -), - Insert with Time-stretching ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F4} -\end_layout - -\end_inset - -), - Delete With Ripple ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -backspace} -\end_layout - -\end_inset - -), - Delete Leaving Silence ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -backspace} -\end_layout - -\end_inset - -), - Set Destination Tab Project Marker ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+alt+1} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+alt+2} -\end_layout - -\end_inset - -), - Set Source Tab Project Marker ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+alt+3} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+alt+4} -\end_layout - -\end_inset - -), - Delete S-D Project Markers ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+del} -\end_layout - -\end_inset - -), - and finally ReaClassical Help ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{H} -\end_layout - -\end_inset - -). -\end_layout - -\begin_layout Subsection -Summary of Track Types in ReaClassical -\end_layout - -\begin_layout Standard -While some of these will be covered later in the manual, - it is useful to give a summary of track types you can currently use in ReaClassical. - First, - we have the -\begin_inset Quotes bld -\end_inset - -regular -\begin_inset Quotes brd -\end_inset - - group or groups of tracks shown in the arrange window. - These are where you record or import takes. - You can record-arm tracks and manually select inputs (if you didn't set during initial setup or via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+F9} -\end_layout - -\end_inset - -) here (a reminder that only locked tracks need only be set on the first group and then -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - can be pressed to sync across all groups. - Second, - we have the mixer tracks designated via -\begin_inset Quotes bld -\end_inset - -M: -\begin_inset Quotes brd -\end_inset - - prefix. - These tracks shown only in the mixer are where you adjust the usual track controls such as names, - pan, - volume, - phase etc. - and also add FX. - Their names are synced across the project via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - -. - Third, - we have aux busses designated via -\begin_inset Quotes bld -\end_inset - -@ -\begin_inset Quotes brd -\end_inset - - prefix. - You can route mixer tracks to these to use as a reverb bus etc. - Fourth, - we have submix busses designated via -\begin_inset Quotes bld -\end_inset - -# -\begin_inset Quotes brd -\end_inset - - prefix. - You can route mixer tracks to these as a way to collect together microphones from the same orchestral section etc. - Fifth, - we have a dedicated room tone track where you can place recorded or generated room tone (more on this in the mastering section). - Sixth, - we have the -\begin_inset Quotes bld -\end_inset - -RCMASTER -\begin_inset Quotes brd -\end_inset - - bus which leads directly to the master REAPER bus. - Here you can gain stage into the master bus, - add FX etc. - Seventh, - we have reference tracks which lie outside of the RCMASTER structure thereby allowing the user to quickly make comparisons with other imported material via the audition shortcuts. - Finally, - the master bus itself where again you can set final levels, - add FX etc. - As mentioned elsewhere, - try not to delete the mixer tracks or RCMASTER. - But, - even if you do by accident, - simply run -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - to recreate them depending on your chosen workflow. -\end_layout - -\begin_layout Standard -It's important to maintain the prefixes for the special tracks (@, - # and M:) and to retain the RoomTone, - Reference and RCMASTER track names for audio routing and mixer visibility. - However, - if you accidentally make improper changes, - simply re-sync via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - to automatically add back missing prefixes and correct naming where appropriate. - -\end_layout - -\begin_layout Section -Editing -\end_layout - -\begin_layout Subsection -Introduction to Editing Workflows -\end_layout - -\begin_layout Standard -Once you have recorded or imported your classical music audio, - you are ready to start editing the raw material! - Here we talk about the meat and potatoes of the classical editing workflows. - Workflows— -plural— -because I have included different approaches to suit as many tastes as possible within the confines of the REAPER application. - I will explain each in detail after this brief introduction. - As described previously, - you have multiple ways of proceeding. - First you can have all your takes lined up in a row horizontally and you place your source in and out markers, - destination in and out markers then press a keyboard shortcut to achieve your 2-, - 3- or 4-point edit. - The second way is to set up your takes vertically and then either use the same marker system to make your edits or use razor edits (my preferred method when working vertically). - Whichever option you choose, - you will then end up in the crossfade editor view which uses a custom two-lane view with classical crossfade function to make precise edits really easy in REAPER. - I don’t often use the fade editor dialog that comes with REAPER even though I make it appear as part of the function. -\end_layout - -\begin_layout Subsection -Marking Edits on your Scores -\end_layout - -\begin_layout Standard -This is best done using a physical, - photocopied score by the conductor or lead musician. - I advocate for a “T” system where a large T is inserted into the score at the intended edit point. - Either side of the T stem, - and under the crossbar, - the outgoing and incoming take numbers are written. - A wavy crossbar indicates some leeway for where the edit point can be placed. - Further notes can be attached underneath the T such as directions for tightening the gap etc. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/score-edits.png - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Marking edits on a physical score -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Preparing Takes -\end_layout - -\begin_layout Standard -Whether working horizontally or vertically, - you can use the Prepare Takes function. - It is intelligent enough to figure out which workflow you are using. - Just press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{T} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - -Takes -\begin_inset Quotes brd -\end_inset - -). - Super simple! - Every set of items comprising a take has changed color, - is now grouped. - In addition, - source and destination groups are linked or (re-linked) for various types of editing. - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/prepared horizontal.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Horizontally Prepared Takes -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/prepared vertical.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Vertically Prepared Takes -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -If Prepare the -\begin_inset Quotes bld -\end_inset - -Prepare Takes: - Random colors -\begin_inset Quotes brd -\end_inset - - value is set to 0 in ReaClassical Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - (the default), - for horizontal workflows, - two shades of blue are used which also helps show the user where edits happen. - For vertical workflows, - the destination group again uses two shades of blue and the source groups are colored green. - In this way they match the colors of the associated S-D markers. - If -\begin_inset Quotes bld -\end_inset - -Prepare Takes: - Random colors -\begin_inset Quotes brd -\end_inset - - value is set to 1, - for horizontally laid-out takes, - each complete take is colored with a different random color. - For vertically laid-out takes, - each folder’s items are given a different random color. - This way, - however you work, - it’s easy to see where edits have come from. - Prepare Takes can be re-run at any point to re-sync colors and will preserve any custom colors set via the Colorize function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{K} -\end_layout - -\end_inset - -. -\end_layout - -\begin_layout Standard -If you imported or recorded all your files in child tracks, - the function will additionally copy all items from each first child track into the folder track and mute them to act as a visual guide track. - You will receive a pop-up message if this is the case. - In the cases where you might use the function after editing has begun, - the destination group will switch to using alternating colors for items so that you can easily tell where you have made edits. -\end_layout - -\begin_layout Subsection -Auditioning Takes -\end_layout - -\begin_layout Standard -For horizontal editing, - you could use the usual transport shortcuts (spacebar to start and stop playback, - for example). - However, - for both horizontal and vertical editing, - it is highly recommended to use the Audition function to quickly solo only the folder (or track) you are interested in hearing. - Just hover the mouse over the parent for the full mix or a child to solo a spot microphone you want to hear and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - . - This includes any @ aux or # submix track routing in the signal path. - You can easily and quickly create your own custom audition mix by engaging solo or mute buttons on the mixer, - aux and submix tracks (either with transport stopped or on the fly) and using hover + -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - on the parent track. - You can therefore listen to anything from the full mix down to examining just the woodwinds submix or a single reverb bus. - To audition using a custom playback rate, - use hover + -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+A} -\end_layout - -\end_inset - -. - The custom playback rate can be set via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -. - Note that regular auditioning will automatically reset to the standard playback rate. - -\end_layout - -\begin_layout Standard -Don't forget that you can quickly jump to your various source takes using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -return} -\end_layout - -\end_inset - - and jump to a time within a selected item or crossfaded items using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -tab} -\end_layout - -\end_inset - - . -\end_layout - -\begin_layout Subsection -Source-Destination Editing -\end_layout - -\begin_layout Standard -You set your in and out points using special colored labeled markers via shortcuts -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - - (Destination) and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - (Source). - Simply press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - to make the 2-, - 3- or 4-point edit. - depending on how many markers you set. - If you attempt to set one of the destination markers inside of an existing crossfade or within 500ms of a crossfade or item edge, - the function will alert you (pressing OK places the marker anyway). - This helps avoid awkward -\begin_inset Quotes bld -\end_inset - -sliver -\begin_inset Quotes brd -\end_inset - - edits that can happen especially if you are zoomed out and placing markers by ear. - You can customize the check range via ReaClassical Preferences ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -). - The check range (in milliseconds) is the distance beyond an item edge, - fade or crossfade. - For example, - setting to 0 would only check for placement -\emph on -inside -\emph default -a fade or crossfade. -\end_layout - -\begin_layout Standard -You’ll also notice that because you prepared the various takes with colors (and grouping), - it is really easy to see which takes compose your final edited tracks. - It’s worth pointing out that my S/D and classical crossfade functions place the crossfade immediately before the entry and exit points of the pasted audio. - The crossfade length and other values can be set on a per-project basis via ReaClassical Preferences ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -). - In practice this means that if you visually set a marker (or edit cursor in the case of the classical crossfade function) immediately before a transient, - said transient will sound post-crossfade which is what we generally desire. - Often, - given this important detail, - I don’t even need to visit the crossfade editor view. -\end_layout - -\begin_layout Standard -When using a vertical workflow, - make sure you have the source folder selected before you create the source IN and OUT markers. - You can do so by clicking on the item at the locations you want to set the markers. - This adds the folder number as a prefix to the source marker labels. - The various functions will then use this label to know which folder to copy from. - This is really useful if you undo the edit in order to tweak the markers by dragging them. - It doesn’t matter if you then select other folders/tracks. - In the event you use two different folders for the source IN and OUT markers, - the functions will prefer the source IN label. -\end_layout - -\begin_layout Standard -The downside to this workflow when using a vertical approach is that the source and destination markers can get in each other’s way visually if the takes aren’t somewhat staggered, - however the process still works as expected. - See below for a razor editing alternative. -\end_layout - -\begin_layout Standard - -\emph on -Optional: - If you are worried about accidentally moving markers and items during precise S-D or assembly editing, - engage the padlock icon in the top-left of the ReaClassical window. - By default with the latest ReaClassical project template, - it should prevent manual left/right item movement and marker dragging (while still allowing for S-D editing with ripple). - Even though you can't move S-D markers by dragging with this lock mode engaged, - you can still use the shortcuts -\emph default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - -\emph on - to change marker location. - Just remember to disengage lock mode when you enter the fade editor or else you won't be able to move the items of the crossfade! -\end_layout - -\begin_layout Subsubsection -\begin_inset CommandInset label -LatexCommand label -name "subsec:Multi-Project-Tab-S-D" - -\end_inset - -Multi-Project Tab S-D Editing -\end_layout - -\begin_layout Standard -If you'd like to S-D edit between various open project tabs you can set both the source and destination -\begin_inset Quotes bld -\end_inset - -project -\begin_inset Quotes brd -\end_inset - - markers via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+1} -\end_layout - -\end_inset - - (or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+2} -\end_layout - -\end_inset - -) for destination and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+3} -\end_layout - -\end_inset - - (or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+4} -\end_layout - -\end_inset - -) for source (essentially the same numbers associated with regular S-D markers). - The markers can exist anywhere on the tab's timeline but perhaps the very beginning or end would be good to keep them out of the way. - The S-D editing itself then works just as for a single tab other than any source markers that are set are not deleted to aid quickly undoing in the destination tab and being ready to reapply the edit. - The only rule when using S-D project markers is to ensure that source or destination markers should be paired with the corresponding source or destination project marker. - This workflow would, - for example, - allow you to have multiple project tabs (perhaps one for each symphony movement plus a final -\begin_inset Quotes bld -\end_inset - -destination -\begin_inset Quotes brd -\end_inset - - tab), - allowing for both internal editing per tab but after setting the S-D project markers compiling the final edit in the -\begin_inset Quotes bld -\end_inset - -destination -\begin_inset Quotes brd -\end_inset - - tab. - To delete all the S-D project markers press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+ -\backslash -del} -\end_layout - -\end_inset - -. - Also, - in multi-tab S-D editing, - when regular markers are placed, - any other existing versions in other tabs are automatically deleted to ensure that only one version of the marker exists at a time across all open project tabs. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\align center -\begin_inset Graphics - filename user_guide_images/S-D markers.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Source-Destination Markers -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsubsection -4-Point Editing -\end_layout - -\begin_layout Standard -For this operation, - set all four markers using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - - , - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - - , - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - . - Make the edit with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - . - This is the most useful edit when dealing with classical music or other acoustic music performed without a metronome. -\end_layout - -\begin_layout Subsubsection -3-Point Editing -\end_layout - -\begin_layout Standard -For this operation, - set any combination of three markers. - Again, - make the edit with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - . - The missing marker is placed according to the distance set by the existing complete pair. - -\end_layout - -\begin_layout Subsubsection -2-Point Editing -\end_layout - -\begin_layout Standard -For this operation, - there are two possibilities: - 1) Set one source marker and one destination marker. - Make the edit with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - . - Any missing IN markers are set to the beginning of the timeline and any missing OUT markers are set to the end of the source or destination material. - 2) Set both source markers and no destination markers. - Make the edit with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - . - Here, - the destination markers are set at the exact same positions on the timeline as the source markers. - Obviously this operation is only useful in a vertical editing workflow when you can select source material from a different track group. - The usefulness of this second option is further reduced if the takes are not vertically aligned and not virtually identical in tempo. - On the other hand, - it could be an incredibly quick method for editing takes of a hybrid classical piece that is performed to a click track or other recorded steady beat. -\end_layout - -\begin_layout Subsection -Other SD Functions -\end_layout - -\begin_layout Subsubsection -Insert with Time-Stretching -\end_layout - -\begin_layout Standard -Using the ReaClassical_Insert with time-stretching function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F4} -\end_layout - -\end_inset - - , - you can complete a 4-point edit where the material between the source markers is time-stretched to fit the length of time between the destination markers. - This is really useful when the source material has to fit the destination span exactly, - for example when working with visual cues. - The time-stretch algorithm used will be the one set in REAPER project settings. - When there are multiple items in between the source markers, - the function will glue the items together before time-stretching. - Note that this function can also be used in multi-tab S-D editing mode (see above). -\end_layout - -\begin_layout Subsubsection -Assembly Line Editing -\end_layout - -\begin_layout Standard -Sometimes you don’t necessarily have a best overall take and it is desirable to build the perfect performance linearly, - section by section, - measure by measure. - In this case, - set the destination IN marker with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - - and set both source markers using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - -. - Press the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F3} -\end_layout - -\end_inset - - shortcut. - A 3-point insert operation will occur and the destination IN marker will jump to the end of the pasted item, - ready for the next edit. - This means that in order to compile further sections, - you now only need set the source markers. - If you accidentally move the location of the destination IN marker in the middle of assembly line editing, - the function will let you know and offer to move the marker back to the right edge of the latest item in the edit. - This will even allow you to do some regular 3- or 4-point editing earlier in the sequence before continuing with the assembly line edits. - Just place the destination IN marker anywhere in the project and answer -\begin_inset Quotes bld -\end_inset - -No -\begin_inset Quotes brd -\end_inset - - when the message box appears. - Note that this function can also be used in multi-tab S-D editing mode (see above). -\end_layout - -\begin_layout Subsubsection -Delete / Delete with Ripple -\end_layout - -\begin_layout Standard -While perhaps not used as often as 3- and 4-point edits, - I have created two functions for deletion of material. - Delete & Ripple -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -backspace} -\end_layout - -\end_inset - - (backspace) will delete the material between source IN and OUT markers and ripple material to the right backwards with a short crossfade. - Delete Leaving Silence -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -backspace} -\end_layout - -\end_inset - - will also delete but maintain the silence without rippling backwards. -\end_layout - -\begin_layout Subsubsection -Add Destination and Source Markers to Edges of Item(s) -\begin_inset Newline newline -\end_inset - -or Time Selection -\end_layout - -\begin_layout Standard -Used in combination with Delete / Delete with Ripple ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -backspace} -\end_layout - -\end_inset - - / -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -backspace} -\end_layout - -\end_inset - -), - you can quickly set both source markers to the edges of one or more selected items on a parent track or time selection via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F12} -\end_layout - -\end_inset - -. - This is a time-saver when dealing with potential -\begin_inset Quotes bld -\end_inset - -sliver -\begin_inset Quotes brd -\end_inset - - edits i.e. - small unneeded leftover edits as a result of multiple rounds of zoomed-out S-D editing. - Note that the built-in checks when manually placing destination markers should go some way to alleviating this issue which can easily go unnoticed in other classical music DAWs. - Likewise you can use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+F12} -\end_layout - -\end_inset - - to set destination markers (selected items must be in the destination folder). - Note that if using time selection for placing source markers, - as for S-D marker placement via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - -, - make sure you first have the desired source folder track selected before pressing the shortcut (a good way to do this is to first click on the item involved). - You may prefer to set both source and destination markers this way over the more traditional number key shortcuts acting as a sort of hybrid between S-D and razor editing. - Also note that if both selected items and a time selection exist, - the time selection takes precedence. -\end_layout - -\begin_layout Subsubsection -Move / Zoom to S-D markers -\end_layout - -\begin_layout Standard -To move to any existing S-D markers use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+1} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - -. - To zoom to any of the S-D markers for more fine-grained placement, - use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -Alt+1} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - -. - If you have multi-tab S-D editing set up (see -\begin_inset CommandInset ref -LatexCommand ref -reference "subsec:Multi-Project-Tab-S-D" -plural "false" -caps "false" -noprefix "false" -nolink "false" - -\end_inset - -), - these shortcuts will also automatically move focus to the correct project tab. - -\end_layout - -\begin_layout Subsubsection -Delete S-D markers -\end_layout - -\begin_layout Standard -To delete all regular S-D markers, - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -del} -\end_layout - -\end_inset - -. -\end_layout - -\begin_layout Subsection -Razor Editing -\end_layout - -\begin_layout Standard -Because of the potential for visual overlap of markers, - I much prefer the REAPER razor edit functionality for vertical take work. - It works a lot like the process shown in this Pyramix -\begin_inset CommandInset href -LatexCommand href -name "video" -target "https://www.youtube.com/watch?v=wQXwnvITQCQ" -literal "false" - -\end_inset - -. -\end_layout - -\begin_layout Standard -While Pyramix also has additional source-destination marker workflows, - I couldn’t help but feel that for professional ensembles that manage a high degree of tempo regularity between takes, - this method can be extremely efficient. - This isn’t the document to introduce REAPER razor edits as there are plenty of resources online if you do a simple search. - Here we are only concerning ourselves with creation of the razor area across all our pairs and spot mics (REAPER’s default shortcut is the rather uninspiring Alt+Right drag). - Thankfully, - it can become the default editing mode by selecting the razor edit mode on the main toolbar and left-click dragging. - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/razor.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Razor Editing -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Crossfade Editor -\end_layout - -\begin_layout Standard -Now that you’ve made your precise edits using S/D workflow or razor editing (no worries if it’s a bit rough!), - it’s time to check things through with the help of the crossfade editor view. -\end_layout - -\begin_layout Standard -While REAPER includes an excellent crossfade editor, - it does not reach the same levels as the ones in specialist classical DAWs such as Sequoia and Pyramix. - This is mainly due to the inability to see the continued waveforms of the items beyond the crossfade they enter and likewise the previous waveforms of the items that exit the crossfade. - The ability to visually align transients and then position the crossfade just before it is absolutely critical (and fun when you have the tools to do it!). - So, - beyond the standard REAPER crossfade editor what have I provided? - Select the right-hand item of a fade (or hover over the item if -\begin_inset Quotes bld -\end_inset - -Add S-D Markers at Mouse Hover -\begin_inset Quotes brd -\end_inset - - is set to 1 in ReaClassical Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -), - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - - and you are moved into crossfade editor mode. - Here, - the first track is given full vertical zoom, - the two-lanes for overlapping items is enabled, - colored red and green, - and the fade editor toolbox appears (I personally position it to hover over the middle of my mixer. - Note also that you are automatically centered on the crossfade and can use the mouse wheel to zoom in and out. - Press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - - again and you exit that mode. - If for some reason you accidentally close just the fade toolbox, - either open again using action in the action list or, - better still, - simply close and re-open the fade editor using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - - . -\end_layout - -\begin_layout Standard -So, - now you are in the crossfade editor mode, - ensuring one or both items are selected, - hover your mouse over a blank area and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Z} -\end_layout - -\end_inset - - to automatically mirror extend the waveform view of each item. - Essentially, - it increases the overlap so you can spot and align the transient you want. - My own preferred method of getting the perfect crossfade is to locate the transient I want on the red left item, - place the edit cursor just before it, - then drag my green right item so that the two transients align. - Then I press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - - (classical crossfade) and I’m done! - The crossfade happens at the location of the edit cursor (well, - just before it as explained above). - -\end_layout - -\begin_layout Standard -I love this method so much that I don’t miss Sequoia or Pyramix any more. - Here it is in ordered list form: -\end_layout - -\begin_layout Enumerate -Increase overlap (by hovering mouse either in a blank area or over one of the items and pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Z} -\end_layout - -\end_inset - - shortcut to mirror extend the item edges) -\end_layout - -\begin_layout Enumerate -Find transient in red left item that you want be edit point -\end_layout - -\begin_layout Enumerate -Place edit cursor just before it -\end_layout - -\begin_layout Enumerate -Drag green right item to align transients (this automatically ripples all items, - markers and regions) -\end_layout - -\begin_layout Enumerate -Press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - - (classical crossfade) -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/xfade window.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Crossfade Editor View -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -In reality, - this process can be just a few seconds to achieve the perfect edit. - In the unlikely event you need to undo, - either use the standard -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+Z} -\end_layout - -\end_inset - - combination or simply extend the overlapping item edges again then create a new classical crossfade. -\end_layout - -\begin_layout Standard -While you could use the auditioning tools in the dialog, - I have created something I find quicker and more useful. - While the two items involved in the crossfade are selected, - try the following: -\end_layout - -\begin_layout Enumerate -Hover over left item / press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - to solo audition the left item from mouse cursor to end of item -\end_layout - -\begin_layout Enumerate -Hover over right item / press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - to solo audition the right item from start of item to mouse cursor -\end_layout - -\begin_layout Enumerate -Hover in blank space on left item side / press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - to solo audition the crossfade from mouse cursor to mirrored position on the other side of the crossfade -\end_layout - -\begin_layout Enumerate -Hover in blank space on right item side / press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - to solo audition the crossfade from mirrored position other side to the mouse cursor. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status collapsed - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/xfade auditioning.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Crossfade Auditioning Tools -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -As you’ll see, - the playback stops using a special marker with *!1016* as the label which is executed as a stop command. - It is deleted automatically after playback ends. - If you try to run the function another time before it has finished, - just select new instance if you get a pop-up box. - You can stack instances and on completion of the latest run, - all instances are removed. - Better to experience than describe but it works really well. - You’ll also see that the edit cursor returns to the middle of the crossfade to aid in mouse scroll zooming keeping the crossfade centered. - The mirrored position takes into consideration the overlap of the items so you can have a complicated set of fades and still get an exact mirrored stopping point. -\end_layout - -\begin_layout Standard -You can shuttle between crossfades using the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Q} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{W} -\end_layout - -\end_inset - - shortcuts. - Do -\series bold -NOT -\series default - use the built-in Previous Next buttons on the standard fade dialog box! - However, - there is still a benefit of having the fade editor dialog in view. - You can also tweak the fade using the knobs if you prefer. - Center, - Start, - End and Length knobs are particularly useful here to maintain symmetry. - Be aware that the Contents knobs will not ripple markers (but with the introduction of the Create CD Markers, - I highly recommend not bothering to create any markers at this point). -\end_layout - -\begin_layout Subsection -Other Editing Tips -\end_layout - -\begin_layout Standard -In my key map, - I include all sorts of useful shortcuts to use during editing. - As mentioned above, - in vertical editing workflows, - the Audition function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - is brilliant for listening to various takes before applying a razor or S/D edit. - I can shuttle between items with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Q} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{W} -\end_layout - -\end_inset - - (the same keys perform a more advanced role when in crossfade editor mode), - shuttle between markers with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{,} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{.} -\end_layout - -\end_inset - - (the same keys with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{<} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{>} -\end_layout - -\end_inset - - on them on my UK keyboard), - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{S} -\end_layout - -\end_inset - - for splitting a long recorded session into takes, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{`} -\end_layout - -\end_inset - - (back tick) and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+`} -\end_layout - -\end_inset - - for zooming out to the whole project both horizontally and vertically etc. - There are plenty more for the mastering end of things so I encourage you to explore. -\end_layout - -\begin_layout Standard -It is worth noting that all regular markers and regions are ripple edited appropriately when using my source-destination editing functions and crossfade editor. - I also introduced the ReaClassical_Lock Toggle function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{K} -\end_layout - -\end_inset - - which temporarily locks all source groups and engages ripple-all-tracks mode to enable you to drag destination items and simultaneously ripple markers and regions in the regular arrange view. - This allows vertical source groups to retain their independence yet still give ripple-all-tracks behavior which is useful for destination album track spacing etc. - However, - I consider this function deprecated given I strongly feel that the Create CD Markers function is now the ultimate way to deal with CD tracks/markers. -\end_layout - -\begin_layout Section -Mixing -\end_layout - -\begin_layout Subsection -FX Plugins -\end_layout - -\begin_layout Standard -ReaClassical is shipped with various mastering-grade JSFX plugins to cover typical needs although obviously REAPER allows for any 3rd party plugins. - For a list of recommended free plugins see Appendix C. - In ReaClassical, - you should add plugins to the dedicated mixer tracks. - -\end_layout - -\begin_layout Subsection -Aux & Submix -\end_layout - -\begin_layout Standard -Users have the ability to create aux and/or submix tracks that stay visible (and stay after the mixer tracks). - To set up, - simply create a single folder via Horizontal Workflow -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - and/or Vertical Workflow -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - then create as many aux/submix tracks after the mixer tracks as you like via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -#} -\end_layout - -\end_inset - -. - It is important to keep the @ or # at the beginning of the track but you can add any name you'd like e.g. - -\begin_inset Quotes bld -\end_inset - -@hall-verb -\begin_inset Quotes brd -\end_inset - -, - -\begin_inset Quotes bld -\end_inset - -#strings -\begin_inset Quotes brd -\end_inset - -. - To route, - click-drag from a mixer track's routing stripes to the desired @ or # track. - When using any of the ReaClassical functions such as auditioning, - these tracks will remain visible. -\end_layout - -\begin_layout Standard -For # submix tracks, - simply add a hyphen (-) at the end of desired track names in the mixer tracks and sync via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - -. - Now those related mixer tracks will not route directly to RCMASTER. - As an example, - say mixer tracks 3-6 are all string section microphones and you'd like to sum them all to a string submix track called -\begin_inset Quotes bld -\end_inset - -#strings -\begin_inset Quotes brd -\end_inset - -. - Just add a hyphen to the end of the names for mixer tracks 3-6, - sync and then create the routing to #strings via click-dragging from the routing stripes. - This routing is maintained during -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - syncs. -\end_layout - -\begin_layout Subsection -Roomtone -\end_layout - -\begin_layout Standard -In a live concert recording that contains audience noise in between movements and applause at the end of a complete piece, - it is often desirable to give the impression of a clean recording with no audience present. - Recorded or generated room tone then becomes very important as an alternative to audio fading to complete digital silence which destroys the illusion of listening back to a live concert. - ReaClassical includes a dedicated room tone track for this purpose. - This way, - the auditioning tool will keep the track displayed in both track and mixer panels. - Add via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -#} -\end_layout - -\end_inset - -. - Once added, - you can add clean recorded noise captured before or after the concert or generate endless roomtone the length of your project from a very small portion of clean silence from the concert itself (hint: - try using a white noise generator into a convolver such as ReaVerb that uses a few seconds of clean room tone as the impulse!). - As of ReaClassical 24.12, - the Create CD Markers function automatically generates precise volume automation at the track level to seamlessly fade in and out of room tone! - See the mastering section for more details. - Please not that there is a limit of one reference track per project. -\end_layout - -\begin_layout Subsection -Reference Track -\end_layout - -\begin_layout Standard -Add a reference track via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -#} -\end_layout - -\end_inset - - to allow for importing a commercial album track or similar to help achieve the desired loudness levels, - EQing etc for your own material. - The reference track is deliberately placed outside of the RCMASTER structure and can therefore be quickly auditioned independent of any effects you have on the mixer and RCMASTER tracks. -\end_layout - -\begin_layout Subsection -Maintaining/Breaking Connections to RCMASTER -\end_layout - -\begin_layout Standard -When adding special tracks via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -#} -\end_layout - -\end_inset - -, - set "Maintain Mixer => RCMASTER" to 0 to add a hyphen (-) to the end of every mixer ( -\begin_inset Quotes eld -\end_inset - -M: -\begin_inset Quotes erd -\end_inset - -) track thereby removing the direct connection to RCMASTER allowing for all sorts of custom routing via submixes etc. - By default, - the final option is always set to 1 to maintain the current routing. -\end_layout - -\begin_layout Section -Mastering -\end_layout - -\begin_layout Standard -Mastering in ReaClassical is game-changing. - Many features described here are not available in any other classical DAW. - I hope that the -\begin_inset Quotes bld -\end_inset - -ReaClassical -\begin_inset Quotes brd -\end_inset - - way saves you much time and helps you look forward to the mastering phase of the project. - While automatic DDP generation, - automatic room tone function, - and professional album reports are the main features here, - you will probably find the revolutionary automation mode is an extremely efficient way to add static mixer scenes across your production as well enjoying the ability to quickly reorder album tracks via a simple keyboard shortcuts. -\end_layout - -\begin_layout Subsection -Mastering Mode -\end_layout - -\begin_layout Standard -Change to mastering mode via the shortcut -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+M} -\end_layout - -\end_inset - -. - In addition to making the mixer tracks, - busses and RCMASTER available in the arrange window for setting static mixer scenes via envelope points, - it also serves to de-clutter by hiding any source group audio. - The hide and show child tracks shortcuts still work on the destination folder but in mastering mode also works on automation lanes. - Simply select the relevant track connected to the lane and use the usual -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{E} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{D} -\end_layout - -\end_inset - - keys to hide and show automation lanes. - Look out for more -\begin_inset Quotes bld -\end_inset - -mastering -\begin_inset Quotes brd -\end_inset - - mode features in the future. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/mastering mode.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Mastering Mode -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Automation -\end_layout - -\begin_layout Standard -Given ReaClassical is built on top of REAPER, - it allows for same high-quality automation workflow with a ReaClassical twist. - Beyond the following workflow descriptions, - it is recommended to read the relevant REAPER manual section as there are far more features than can be described here. - For example, - you can add static mixer and FX -\begin_inset Quotes bld -\end_inset - -scenes -\begin_inset Quotes brd -\end_inset - - to automation lanes (very useful for quickly setting up different settings for the various pieces on an album) . - It makes most sense to leave any automation work until the destination group editing is largely complete. - Start automation mode via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - -. - Mastering mode will be enabled automatically as needed. - All the envelope buttons will turn blue ( -\begin_inset Quotes bld -\end_inset - -latched preview -\begin_inset Quotes brd -\end_inset - -) and you will see a message box with instructions. - Simply set any desired mixer controls or parameters in an open FX window) on one or more tracks and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{I} -\end_layout - -\end_inset - - to enter the values as points on the automation lanes at the edit cursor position or, - if one exists, - within the time selection. - Continue to add, - edit or audition and once completed, - exit -\begin_inset Quotes bld -\end_inset - -automation -\begin_inset Quotes brd -\end_inset - - mode via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - -. - The envelope buttons will then turn green ( -\begin_inset Quotes bld -\end_inset - -read -\begin_inset Quotes brd -\end_inset - - mode). - Hopefully this -\begin_inset Quotes bld -\end_inset - -ReaClassical -\begin_inset Quotes brd -\end_inset - - way can make things faster and easier at the same time. - Once multiple static mixes have been set up, - you can then, - of course, - use more detailed automation via the pencil tool or riding the fader to, - for example, - temporarily bring up spot microphones. - -\end_layout - -\begin_layout Standard -In addition, - there are also take envelopes that you can access via right-clicking on an item and going to -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{Take > Take Volume Envelope} -\end_layout - -\end_inset - -. - This is incredibly useful for transparently reducing very short stray peaks versus using a limiter. - Simply create a selection over the problematic area by left-click-dragging and then -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -shift} -\end_layout - -\end_inset - - and drag up or down to just affect that portion of the envelope without needing to add in individual points. - It's such a time-saver! - The benefit here is that you can also see how the item waveform is affected in real time. -\end_layout - -\begin_layout Standard -If you want to exit both automation and mastering modes, - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+M} -\end_layout - -\end_inset - -. -\end_layout - -\begin_layout Subsection -Repositioning Tracks in an Album -\end_layout - -\begin_layout Standard -There are two functions which help with reordering or repositioning tracks. - First, - and perhaps most useful for producing a classical album, - is if you decide that you need to reorder one or tracks. - Simply select the track you want to move and press either -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyleft} -\end_layout - -\end_inset - -or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyright} -\end_layout - -\end_inset - - to switch with the track immediately to the left or right. - Note that gaps are preserved too. - -\end_layout - -\begin_layout Standard -The other situation is when you want to start with uniform gaps between a series of short separate pieces. - Use the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+Y} -\end_layout - -\end_inset - - shortcut and enter a value in seconds. - Your pieces are then automatically spaced and items crossfaded are left intact. -\end_layout - -\begin_layout Subsection -Loudness -\end_layout - -\begin_layout Standard -In terms of loudness, - I personally aim for about -18 LUFS Integrated for my classical albums though it can be as high as -16 LUFS and as low as -20 LUFS. - The new loudness JSFX meter in REAPER along with the normalization of loudness and true-peak limiting in the render dialog are priceless. - It’s another reason I couldn’t go back to the big classical DAWs at this point. -\end_layout - -\begin_layout Subsection -Metadata -\end_layout - -\begin_layout Standard -At this stage, - the only items present in the destination folder should be those comprising the final album. - If working in horizontal workflow mode up to this point, - drag any source material to new group by first creating an empty duplicate folder via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - -. - To quickly remove all the take names on the destination parent track, - run -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+T} -\end_layout - -\end_inset - -. - Track titles are then added to the individual items on the destination parent track by double-clicking on the item or selecting and pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F2} -\end_layout - -\end_inset - -. - Note that only items that start tracks should be named. - -\end_layout - -\begin_layout Standard -The rest of the metadata is then added via the Create CD Markers function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Y} -\end_layout - -\end_inset - -. - You can add UPC/EAN and ISRC numbers as desired followed by album title, - performer, - composer and genre. - The Markers to CUE function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{C} -\end_layout - -\end_inset - - will take as much information as it can from the saved DDP metadata but the user is free to change as desired. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/takename.png - scale 75 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -Adding Track names -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Creating DDP filesets -\end_layout - -\begin_layout Standard -I have introduced a workflow to automatically add the CD/DDP markers, - regions and room tone automation via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Y} -\end_layout - -\end_inset - - (track and region names are pulled from item take names, - markers/regions auto-snap to CD frames, - initial 2-second pre-gap, - silent roll out and album metadata also added!) . - It is ‘smart’ in the sense that if there’s no take name, - no marker or region will be created. - In other words, - press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F2} -\end_layout - -\end_inset - - with an item selected to enter track names where markers/regions need to be created. - It’s perfect for classical releases where a crossfaded item is likely an internal source-destination edit versus a new track. - For CD tracks that you want to have a visual CD player countdown, - simply start the item name with an exclamation (!). - Preferences such as CD marker offset, - -\nospellcheck on -pre-gap -\nospellcheck default - length and album lead-out can be set via ReaClassical Project Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - . - So it’s now very quick to export a DDP set! - -\end_layout - -\begin_layout Standard -Further, - you can add audio to the initial -\nospellcheck on -pre-gap -\nospellcheck default - (an -\begin_inset Quotes bld -\end_inset - -easter egg -\begin_inset Quotes brd -\end_inset - - track) by not giving the first item (or crossfaded items) a take name. - The function will assume that this is supposed to be hidden and generate the initial -\nospellcheck on -pre-gap -\nospellcheck default - length accordingly. - -\end_layout - -\begin_layout Standard -If a room tone track is present in the project, - the function will also generate precise track-level volume automation that creates perfectly-matching fades at points where items fade into and out of silence on the first destination track. - In other words, - slicing and dicing room tone audio to fill in digital silence is no longer necessary in ReaClassical! -\end_layout - -\begin_layout Standard -For more information read the description of the DDP function in appendix A. -\end_layout - -\begin_layout Subsection -Creating CUE Files -\end_layout - -\begin_layout Standard -A CUE file can be generated via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{C} -\end_layout - -\end_inset - - (no need create a time selection). - The high-resolution audio portion can be generated separately in the render dialog via the preset. - -\end_layout - -\begin_layout Subsection -BIN+CUE set -\end_layout - -\begin_layout Standard -Create a BIN/CUE pair (either select -\begin_inset Quotes bld -\end_inset - -regions define tracks’ and render the whole project or select -\begin_inset Quotes bld -\end_inset - -use only # markers -\begin_inset Quotes brd -\end_inset - - and render by time selection if you don’t want the first -\nospellcheck on -pre-gap -\nospellcheck default - as actual silence at the start of track 1). - -\end_layout - -\begin_layout Subsection -Album Reports -\end_layout - -\begin_layout Standard -When using the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{C} -\end_layout - -\end_inset - - shortcut, - ReaClassical also generates both a plain text and HTML album report in the project folder including details such as pre-gaps, - track title, - start time, - track length, - UPC/EAN and ISRC (if present), - total running time etc. - This is a fantastic and automatic way to send information to clients or a duplication/replication factory. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\begin_inset Graphics - filename user_guide_images/html_album_report.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -An example of an automatically generated HTML album report -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Section -Rendering -\end_layout - -\begin_layout Subsection -Presets -\end_layout - -\begin_layout Standard -ReaClassical includes various rendering presets to make rendering extremely quick and easy. - In the Render dialog -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{R} -\end_layout - -\end_inset - -, - click on the presets button then -\begin_inset Quotes bld -\end_inset - -All Settings -\begin_inset Quotes brd -\end_inset - -. - The preset names are self-explanatory. - The first four entries are for exporting a whole album as a single audio file. - The remaining use the automatically created regions after using the Create CD Markers function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Y} -\end_layout - -\end_inset - - to create automatically named folders of audio files, - one per CD track. - After selecting a preset, - you should feel free to change any render settings and perhaps save as a new preset for future use. - By default, - the presets use the built-in REAPER standard triangular dither. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/render_presets.png - scale 75 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -ReaClassical Render Presets -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsection -Samplerate -\end_layout - -\begin_layout Standard -Now that r8brain free has been introduced as the best quality resampler available in REAPER (I highly recommend double-checking that it is selected when resampling at render time) I feel I can do everything, - including DDP creation, - without leaving my favorite DAW. - However, - the Marker to CUE function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{C} -\end_layout - -\end_inset - - is still useful for all sorts of things and I often create FLAC + CUE for album playback in my media player or WAV + CUE to easily burn a CD at home. -\end_layout - -\begin_layout Subsection -Dither -\end_layout - -\begin_layout Standard -Use either the built-in REAPER dither options or RCDither as the last plugin on the master chain. - If using RCDither or any other 3rd-party dither be sure to keep the master fader at unity and disable all REAPER dither checkboxes. -\end_layout - -\begin_layout Subsection -Loudness & Limiting -\end_layout - -\begin_layout Standard -REAPER has a fantastic rendering feature which allows the user to set a desired loudness and peak / true peak setting. - For quick exports that need to meet certain targets (i.e. - streaming) this makes things extremely efficient and is very transparent when not set to extreme values. -\end_layout - -\begin_layout Subsection -Dry-run Rendering -\end_layout - -\begin_layout Standard -Another REAPER feature that is outstanding is the dry-run render function which allows for very quick offline loudness and peak checks and much faster than using REAPER's included realtime loudness meter. - It is therefore extremely easy to set up compressors, - limiters etc in the project and make small adjustments based on the dry-run values and maintain complete control over the process. - -\end_layout - -\begin_layout Subsection -Other Rendering Tips -\end_layout - -\begin_layout Standard -Not necessarily obvious to new REAPER users are the special =START and =END markers (make your markers in the usual way and label them accordingly) that constrain the length of the project. - Rather than rely on extended silence at the end of items or time selections, - the =END marker is a great way to ensure you have the exact amount of lead-out you want at the end of the disc. - Positioning both special markers is great way to generate files for multi-disc releases without having to rely on multiple projects. -\end_layout - -\begin_layout Standard -You will hopefully notice I have included various shortcuts for manually creating regions (single or multiple) from items and time selection (great for quickly generating demo snippets). - Also worth noting is that you can still do some (or all!) of your source-destination editing with your track markers in place as the S/D markers have IDs far higher than any classical CD would have and are automatically deleted after a successful edit. - As long as you have your ripple-per-track mode engaged, - all your existing marker placements and carefully crafted edits will remain intact. - But, - again, - don’t manually create CD markers at this point as I include a very powerful tool to make light work of that side of mastering. -\end_layout - -\begin_layout Section -Project Management -\end_layout - -\begin_layout Subsection -Typing Notes -\end_layout - -\begin_layout Standard -Document your takes either using the built-in REAPER project notes or SWS Notes -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{N} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - -Notes -\begin_inset Quotes brd -\end_inset - -) which can be attached to items, - tracks, - markers etc. - I personally prefer item notes on the main microphone pair. - It’s a very useful tool to have docked at the bottom of the screen. -\end_layout - -\begin_layout Subsection -Folder Structure -\end_layout - -\begin_layout Standard -ReaClassical defaults to placing media and exports into appropriately subfolders making project file navigation easier. - Also, - ReaClassical defaults to separate folders for automatic backups and auto-saves. - These settings are subject to change and can be modified by going to the REAPER preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{O} -\end_layout - -\end_inset - - (for -\begin_inset Quotes bld -\end_inset - -Options -\begin_inset Quotes brd -\end_inset - -). -\end_layout - -\begin_layout Subsection -Automatic Backups -\end_layout - -\begin_layout Standard -REAPER allows for powerful and complex backup routines. - As referenced above, - ReaClassical defaults to 10 time-stamped backups and 10 auto-saves every 15 minutes when not recording. - Feel free to modify for your own way of working including switching to backups and auto saves for a number of unique days. -\end_layout - -\begin_layout Subsection -Cleaning -\end_layout - -\begin_layout Standard -If in doubt, - keep everything! - Otherwise, - the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{File > Clean current project directory} -\end_layout - -\end_inset - - is an excellent way to reduce the size of your projects. - Note that when assigning a session name via the Take Counter Window, - currently the above REAPER menu item doesn't search recursively. - In a way, - this reduces the chances of accidentally deleting precious takes. - You can always manually delete but, - from experience, - it is -\emph on -much -\emph default - better to simply keep everything. -\end_layout - -\begin_layout Subsection -Archiving -\end_layout - -\begin_layout Standard -There are various ways to archive classical music projects. - First, - you can access the Project Bay by -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+B} -\end_layout - -\end_inset - - shortcut. - You can then ensure that all media used in the project is contained within the project folder itself. - If not, - you can select as many as necessary, - right click and move/copy into the project folder. - After this, - you can simply compress the folder as a zip and store on an external drive. - A further step to guaranteeing ability to open in the future is to freeze tracks so that plugin effects are baked in (with ability to unfreeze later if possible). - Alternatively you can save a copy of the project via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{File > Save project as...} -\end_layout - -\end_inset - - -\emph on -, - -\emph default - converting to a format like FLAC and trimming the media as you wish. - Finally, - one to look out for in the future is -\begin_inset CommandInset href -LatexCommand href -name "Project Archiver" -target "https://forum.cockos.com/showthread.php?t=280150" -literal "false" - -\end_inset - -. - However, - I don't believe it is quite ready for prime-time yet and recommend using one of the other methods for now. -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Part -End Matter -\end_layout - -\begin_layout Section -Thanks -\end_layout - -\begin_layout Standard -\noindent -\align left -I am appreciative of the collective contributions of the REAPER community with regards the early source-destination actions (Pelleke, - in particular), - MPL, - X-Raym, - BirdBird, - RCJacH, - Sai'ke, - Meo-Ada Mespotine, - cfillion and many more. - Finally, - many thanks to Justin and Schwa for such an amazingly versatile DAW. -\end_layout - -\begin_layout Section -Closing Thoughts -\end_layout - -\begin_layout Standard -\noindent -\align left -I hope you enjoy the ability to do serious classical editing with ReaClassical on REAPER and that my efforts go some way to making things better, - easier and more efficient. - Remember that if you find any oddities with the functions or have a bright idea for something new and shiny, - please add your thoughts to the -\begin_inset CommandInset href -LatexCommand href -name "dedicated thread" -target "https://forum.cockos.com/showthread.php?t=265145" -literal "false" - -\end_inset - - on the forums and/or create an issue or start a discussion on my GitHub repository located at -\begin_inset CommandInset href -LatexCommand href -target "https://github.com/chmaha/ReaClassical" - -\end_inset - -. - -\end_layout - -\begin_layout Standard -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Part -\start_of_appendix -Appendices -\end_layout - -\begin_layout Section -Description of ReaClassical Functions -\end_layout - -\begin_layout Standard - -\emph on -Preliminary Note: - -\emph default -These proceed in a quasi-workflow order. - I include the default shortcut keys if using my portable install or resource folder base. - You can also use the custom toolbar via the mouse. - -\end_layout - -\begin_layout Standard - -\series bold -Create/Sync Horizontal Workflow -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -The way to create a horizontal workflow with a single folder group with as many tracks as you need. - It can also be used with an single existing folder group to re-sync track names and re-build project routing. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Use on a completely empty project. - I would use this if you are planning to use a horizontal approach to source-destination editing (i.e. - the various takes are laid out from left to right) or if you want a quick way to set up a mixing/mastering track set with a single take. - The function automatically sets up the tracks for group media and razor-editing along with dedicated mixer tracks. - These mixer tracks should be used for all track settings (names, - volume, - pan, - polarity, - sends and FX). -\end_layout - -\begin_layout Standard - -\series bold -Create/Sync Vertical Workflow -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -A multi-use function to 1) set up a vertical workflow with destination and source groups with as many tracks as you need, - 2) to create source groups from an existing destination folder group (for example, - created with -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - shortcut) and, - for in the middle of editing, - 3) to (re)create project routing and sync track-naming, - record inputs and lock states. - Note that for 3), - all folders should contain the same number of tracks. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -For all track settings (names, - volume, - pan, - polarity, - sends and FX) you should use the dedicated mixer tracks. -\end_layout - -\begin_layout Standard - -\series bold -Explode multi-channel item -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F10} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Explode multi-channel item(s) to either all mono or stereo-interleaved + mono -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - Import your multi-channel media using a single regular track (for a horizontal workflow) or multiple regular tracks (for a vertical workflow). - Then, - simply press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F10} -\end_layout - -\end_inset - - (no need to select the items). - Answer yes to the prompt that appears if the first two channels should be treated as stereo interleaved (i.e. - they represent your main pair). - Depending on the choice made, - the number of tracks in the resulting folder(s) will adjust accordingly. - If the user selects ‘no’ to keep all tracks mono, - the folder track is left empty so that the Prepare Takes -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{T} -\end_layout - -\end_inset - - function is able to create a muted guide track (more on this later!). - Then you are given the opportunity to name your tracks. - Obviously if you decide to move to a vertical workflow after exploding using a single track, - you can always use -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - to create your source folders then drag the media to where you want them. - If you need to bring in new takes after editing has started, - simply use the function on an empty project tab then copy or cut them into the original project tab into the desired folder on the timeline. -\end_layout - -\begin_layout Standard - -\series bold -Add special track(s) -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -#} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Adds one or more special tracks (aux, - submix, - roomtone, - reference) -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -ReaClassical projects can have any number of special tracks but are limited to a single roomtone track. - See below for details of each kind of track. -\end_layout - -\begin_layout Standard - -\noun on -Aux send -\noun default -: - Add a rosewood-colored aux track prefixed with an ampersand (@) to the end of the track list but is only visible in the mixer. - This allows the user to keep assigned aux tracks visible in the intelligent mixer. - Create any connections to the aux in the destination group (including child tracks) and then push to the source groups via the Vertical Workflow function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - . - This routing is maintained during subsequent -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - syncs. - Set "Maintain Mixer => RCMASTER" to 0 to add a hyphen (-) to the end of every mixer track thereby removing the direct connection to RCMASTER allowing for all sorts of nice custom routing. - By default the final option is always set to 1 to maintain whatever routing you currently have. -\end_layout - -\begin_layout Standard - -\noun on -Submix -\noun default -: - Add a teal-colored aux track prefixed with an hash (#) to the end of the track list but is only visible in the mixer. - This allows the user to keep assigned submix tracks visible in the intelligent mixer. - Create any connections to the submix in the destination group (including child tracks) and then push to the source groups via the Vertical Workflow function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - . - For correct routing to a submix (versus a send), - simply add a hyphen (-) at the end of desired track names in the mixer tracks and sync via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - -. - Now those related mixer tracks will not route directly to RCMASTER. - As an example, - say tracks 3-6 are all string section microphones and you'd like to first sum them all to a string submix track called -\begin_inset Quotes bld -\end_inset - -#strings -\begin_inset Quotes brd -\end_inset - -. - Just add a hyphen to the end of the names for tracks 3-6, - sync and then create the routing to #strings via click-dragging from the routing stripes. - This routing is maintained during subsequent -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - syncs. -\end_layout - -\begin_layout Standard - -\noun on -Room tone -\noun default -: - Add a burnt sienna-colored aux/submix track labeled -\begin_inset Quotes bld -\end_inset - -RoomTone -\begin_inset Quotes brd -\end_inset - - to the end of the track list that is visible in both the track and mixer panels. - The track will be included in the signal path via the regular audition function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - -. - If present when creating CD/DDP via the function will also generate volume automation to create perfect crossfades with the items on the first destination track. - Slicing and dicing room tone audio to fill in digital silence is now a thing of the past. - Simply add a long recorded or convolution-generated room tone audio item before running the function. - The ReaClassical way of dealing with room tone is non-destructive and instant! - -\end_layout - -\begin_layout Standard - -\noun on -Reference -\noun default -: - Add a reference track labeled -\begin_inset Quotes bld -\end_inset - -REF -\begin_inset Quotes brd -\end_inset - - to the end of the track list that is visible in both the track and mixer panels. - If you rename, - a -\begin_inset Quotes bld -\end_inset - -REF: -\begin_inset Quotes brd -\end_inset - - is automatically added. - The track will be placed outside of RCMASTER signal path and easily auditioned via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - -. - -\end_layout - -\begin_layout Standard - -\series bold -Hide and Show child tracks / automation lanes -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{E} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{D} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Hide child tracks to save screen estate and for working with multi-channel takes as if working with just stereo. - In -\begin_inset Quotes bld -\end_inset - -mastering -\begin_inset Quotes brd -\end_inset - - mode, - the shortcuts also work for hiding and showing automation lanes. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Select a folder track and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{E} -\end_layout - -\end_inset - - to hide the children or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{D} -\end_layout - -\end_inset - - to show them. - All S-D and razor editing functions work perfectly while folder groups are collapsed. - This recreates a popular way of working with classical music takes in Pyramix. - In -\begin_inset Quotes bld -\end_inset - -mastering -\begin_inset Quotes brd -\end_inset - - mode, - select a track containing automation lanes and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{E} -\end_layout - -\end_inset - - to hide the automation lanes or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{D} -\end_layout - -\end_inset - - to show them. -\end_layout - -\begin_layout Standard - -\series bold -Take Counter Window -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -enter} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Track take numbers and session name during recording sessions. - Schedule recordings by start/end time or duration. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - The window will also open automatically with Classical Take Record ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - -) if not already running. - It is advised to save your project and name your tracks before starting to record. - This ensures that the recorded files have usefully unique names. - You can right-click on the window to override automatic take numbering (0 = off (recommended), - 1 = override), - set a take number to increment from and optionally set a session name to act as media subfolder. - You can left-click to recalculate the track count if you have removed some unused files from the project path. - The calculated upcoming take number factors in unused files in the project path so as to avoid any file-naming conflicts. - You should find this to be an extremely robust take system that rivals Pyramix, - Sequoia etc. - To schedule a recording or limit by duration, - right-click on the take counter window and add the appropriate entry or entries in HH:MM format. - After pressing OK, - the take counter window will display information to the right of the take number. - If you enter a start or end time earlier or equal to the current time, - the function will assume a next day schedule and will annotate the time with an asterisk (*). - Likewise, - with both a start and end time, - if the end time is earlier than or equal to start, - it will assume a time 24 hours later. - Don't forget to arm your tracks before walking away! -\end_layout - -\begin_layout Standard - -\series bold -Classical Take Record -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - A one-button shortcut for stopping and starting recording of takes. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - To use, - select a folder track, - position the edit cursor if necessary and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - . - If the parent isn't already record-armed (probably the case before you start your first recording of the session), - the function will first simply record-arm the group so you can usefully monitor incoming signal in addition to opening the take counter window. - On a subsequent press of -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - recording begins. - Press again to stop the recording. - To immediately start a new take, - simply press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - again. - To pause and unpause a recording without starting a new take, - toggle the pause button in the transport or use the shortcut -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -space} -\end_layout - -\end_inset - - (spacebar). - Note that in a vertical workflow, - the next folder has already been selected, - record-armed and that the cursor returns to the original position for easy lining up of takes. - If you run out of source groups, - the function will automatically create a new one. -\end_layout - -\begin_layout Standard - -\series bold -Rank Take Higher -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+=} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Rank higher the last recorded item or selected item(s) (and those in the same group) -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - During or after recording, - you can rank one or more recorded takes. - If no item is selected, - the last recorded item (along with other items in the same group) are affected. - Otherwise, - you can select one or more parent items. - The ranking system uses a series of colors and a scale system of plusses and minuses (+/-) added as a suffix to the item name up to a maximum of three symbols. - This allows for seven different rankings. - Positive rankings are 3 intensities of green (good, - very good, - excellent), - negative rankings are yellow, - orange, - red (below average, - poor, - unusable), - with neutral (no ranking) using the default item color. -\end_layout - -\begin_layout Standard - -\series bold -Rank Take Lower -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+-} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Rank lower the last recorded item or selected item(s) (and those in the same group) -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -See the notes above. -\end_layout - -\begin_layout Standard - -\series bold -Remove Take Ranking -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+0} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Remove any ranking from the last recorded item or selected item(s) (and those in the same group) -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -See the notes above. -\end_layout - -\begin_layout Standard - -\series bold -Increment Take Number -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+F9} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - -\end_layout - -\begin_layout Standard - -\series bold -Add Track To All Groups -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+T} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Add a new microphone to all folders (or a single folder) mid-recording session. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - The function will prompt for a track name and then a new track will appear at the end of every folder and mixer track set. - You could follow up by moving the track using the function below. -\end_layout - -\begin_layout Standard - -\series bold -Delete Track From All Groups -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -shift+ -\backslash -del} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Delete the selected mixer track and associated child tracks from all groups in the project. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - Available for both horizontal and vertical workflows, - simply select a single mixer track and press the shortcut. -\end_layout - -\begin_layout Standard - -\series bold -Prepare Takes -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{T} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Intelligently prepares recorded or imported takes for source-destination editing. - Coloring scheme is set in ReaClassical Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - . -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -With a single folder group (or individual tracks), - the shortcut will auto-color and group takes from left to right. - With a vertical workflow consisting of a destination group and multiple source groups, - the function will auto-color top to bottom and group folder items left to right. - Essentially in either setup, - takes are given different colors and all items associated with a take grouped for editing. - The function also allows for takes that don't start or end exactly at the same time (this can happen if you receive pre-edited materials). - The end result is if you drag one item of a take group, - every other item will move in sync. - NOTE: - The function was designed for use after initial recording or importing of media but as of 24.5.3 should work at any point during editing (for example to import a patch recording). - In this case, - the destination group items will switch to using alternating colors so that you can easily see where your edits are on the timeline. - And, - as of 24.8.5, - the function uses the -\begin_inset Quotes bld -\end_inset - -Prepare Takes: - Random colors -\begin_inset Quotes brd -\end_inset - - value from ReaClassical Preferences to use either the new color scheme (default, - set to 0) or the old random color method (set to 1). - A reminder that the new REAPER native grouping (when set up via Horizontal or Vertical Workflow functions) works for 99% of situations without Prepare Takes but for takes that don't start or end at quite the same point it is a must. - Prepare Takes honors any custom colors set via the Colorize function -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{K} -\end_layout - -\end_inset - -. -\end_layout - -\begin_layout Standard - -\series bold -Duplicate Folder (no items) -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Create a duplicate without media items of the highlighted folder. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Note that in a vertical workflow, - Classical Take Record -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - automatically creates new folders if needed, - this function does not need to be used when recording material. - However, - if importing pre-recorded takes and you need more source groups to accommodate the material, - this is still very useful. -\end_layout - -\begin_layout Standard - -\series bold -Colorize -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{K} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Add a identifying custom color to an item and those in the same group. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Useful for identifying where a S-D edit originated. -\end_layout - -\begin_layout Standard - -\series bold -Audition -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Mouse-driven auditioning of folders or individual tracks. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Simply hover the mouse over an area of the project and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - to begin auditioning the audio. - With -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - -, - hover over a folder track to hear the complete mix or a single track within a folder for listening to individual instrument or sections. - Note that the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - function honors any aux or submix track routing. - The main function respects soloed or muted @ aux, - # submix and roomtone tracks so you can easily and quickly set up a custom audition mix including a full mix, - just the string submix, - a single reverb bus and anything else you can imagine! -\end_layout - -\begin_layout Standard - -\series bold -Audition With Custom Playback Rate -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+A} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Mouse-driven auditioning of folders or individual tracks but with a custom playback rate. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Works in the same fashion as regular ReaClassical auditioning but you can set the custom playback rate via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -. - Note that regular auditioning will automatically use the standard playback rate. -\end_layout - -\begin_layout Standard - -\series bold -Whole Project View Horizontal -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{`} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Zoom to show the whole project horizontally. - -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Very useful for a birds-eye view of your project so you can navigate to another section. - If there are multiple folders, - the function collapses them. - If fewer than two folders, - the function respects the current folder view. -\end_layout - -\begin_layout Standard - -\series bold -Whole Project View Vertical -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+`} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Zoom to show the whole project vertically. - -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Very useful for a birds-eye view of your project so you can see all vertical take folders. - The function respects current child track visibility to allow for a typical editing situation of viewing all of the destination group but only the folder tracks of source groups. -\end_layout - -\begin_layout Standard - -\series bold -ReaClassical Project Preferences -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Set S-D crossfade length, - CD track offset and INDEX0 pre-gap length (CD player countdown into next track), - album lead-out time, - Prepare Takes colors, - S-D Destination Marker Check Range (ms), - REF = Overdub Guide, - Add S-D Markers at Mouse Hover. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -These values are saved on a per-project basis. - While the INDEX0 pre-gap length can be set lower than 1 second in the dialog box, - the -\emph on -Create CD Markers -\emph default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Y} -\end_layout - -\end_inset - - function will ignore and use a value of 1 second as this is the lowest that makes any sense for displaying the countdown to the next track. - Prepare Takes by default uses the new color scheme for items ( -\begin_inset Quotes bld -\end_inset - -Prepare Takes: - Random colors -\begin_inset Quotes brd -\end_inset - - set to 0) which is two shades of blue for horizontal workflows and blues and greens for vertical workflows thereby aligning closely with the colors of the S-D markers. - The old coloring method ( -\begin_inset Quotes bld -\end_inset - -Prepare Takes: - Random colors -\begin_inset Quotes brd -\end_inset - - set to 1) uses random colors per item group. - This can help see where edits have come from but because of the randomness may require several iterations until you avoid clashes or eye-sores! - The user can change the checking range (distance beyond an item edge/fade or crossfade) when placing destination IN and OUT markers. - Setting to 0 would just check if the marker would be placed -\emph on -inside -\emph default - a item fade or crossfade. - If the reference track is set as overdub guide, - it will be audible during classical take recording and auditioning which is extremely useful for overdub recording of material after the main session such as a symphonic organ part or narration. - Finally, - you can set -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - -, -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - -, -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - -, - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - to add markers at the mouse hover position vs edit cursor. - In this mode, - you can also enter the fade editor by hovering of the right-hand items of a crossfaded pair and pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - -. -\end_layout - -\begin_layout Standard - -\series bold -Find Take (based on filename) -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -return} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Enter a take number based on the numerical suffixes at the end of filenames and optional session name to quickly jump to that media item. - -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -If the function can't find a media item with that take number and optional session name, - it will let you know and offer to try again with a different number or session name. - This will work for any file-naming system that uses numbers before the file extension such as -\begin_inset Quotes bld -\end_inset - -mvt1_main_pair-T04.wav -\begin_inset Quotes brd -\end_inset - - or -\begin_inset Quotes bld -\end_inset - -beethoven_cello-take_23.flac -\begin_inset Quotes brd -\end_inset - -. - Note that if the imported or recorded files have zero-padding that is not a problem as the function strips these away. - The session name search can be used to find any text in the filename and allows for partial searches. - If you have used an item to create an S-D edit, - searching for a take will ignore these items and move directly to the original sources. -\end_layout - -\begin_layout Standard - -\series bold -Jump To Time (Selected Item(s) or Project) -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -tab} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Jumps to the specified time (mm:ss) in the project or internal time within a selected item or set of consecutive crossfaded items. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Various use-cases include 1) a musician or producer giving you an exact time in draft exported audio of a heavily-edited symphony movement where they identified extraneous noise or a noticeable edit, - 2) building S-D edits from a list or score which includes take number and times. -\end_layout - -\begin_layout Standard - -\series bold -Source-Destination Markers -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - -, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Add source-destination markers ready for making the edit. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - - , - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - - = destination IN/OUT; - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - , - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - = Source IN/OUT. - In between the destination markers is where the edit will actually happen. - In between the source markers is where the material is taken from. - Use all four markers for 4-point editing. - Use any combination of 3 markers for 3-point editing. - Use either 1 source and 1 destination (more useful) or just the source markers for 2-point editing (less useful). - By default, - the markers are added at the edit cursor location. - It is very important and useful to note is that the source marker labels reflect which source group was highlighted when the markers were placed. - In other words, - to create source markers at the edit cursor, - first select the item in the chosen folder track and then use the -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - & -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - shortcuts. - This means that when the actual edit is made (using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - -) it doesn't matter what is highlighted at the time. - Obviously this is only useful if using a vertical take system approach. - Additionally, - you can set the placement of S-D markers at mouse hover position via ReaClassical Preferences ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -). - The benefit, - other than speed, - is that you don't have to worry about making sure source tracks are selected by clicking on the item - simply hover over the desired item and add the source markers! -\end_layout - -\begin_layout Standard -If you attempt to set one of the destination markers inside of an existing crossfade or within 500ms of a -\nospellcheck on -crossfade -\nospellcheck default - or item edge, - the function will alert you (pressing OK places the marker anyway). - This helps avoid awkward -\begin_inset Quotes bld -\end_inset - -sliver -\begin_inset Quotes brd -\end_inset - - edits that can happen especially if you are zoomed out and placing markers by ear. - You can set the check range via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -. - The check range (in milliseconds) is the distance beyond an item edge, - fade or crossfade. - For example, - setting to 0 would only check for placement -\emph on -inside -\emph default -a fade or crossfade. -\end_layout - -\begin_layout Standard - -\series bold -S-D Edit -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Make the source-destination edit (2-, - 3- and 4-point editing) -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Once you have placed your S-D markers press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - to make the edit. - Whatever the number of markers you used, - the edit will be crossfaded using a short equal power fade (you can change this in REAPER options under -\emph on -Media Item Defaults -\emph default -) and when using 4 markers, - the S-D markers removed ready for the next edit. - The edits are perfectly crossfaded and the user only needs to focus on the selection of source material. - For any S-D edit you can, - of course, - undo the action and return to the previous state. - The desired crossfade length is set via ReaClassical Project Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - . - Note that this function can be used in multi-tab S-D editing mode (see below). -\end_layout - -\begin_layout Standard - -\series bold -3-point -\begin_inset Quotes bld -\end_inset - -Assembly Line -\begin_inset Quotes brd -\end_inset - - Edit -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F3} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Uses both source markers and destination-IN marker to compile edits from start to finish. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -The destination-IN marker is retained and placed at the end of the edit so that for subsequent operations the user only has to set the source markers. - Worth repeating from the S-D edit notes: - -\end_layout - -\begin_layout Quote - -\emph on -…the source marker labels reflect which source group was highlighted when the markers were placed. - In other words, - to create source markers, - first select the item in the chosen folder track and then use the -\emph default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - -\emph on - & -\emph default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - -\emph on - shortcuts. - This means that when the actual edit is made (using -\emph default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - -\emph on -) it doesn't matter what is highlighted at the time. -\end_layout - -\begin_layout Standard -If you accidentally move the location of the destination IN marker in the middle of assembly line editing, - the function will let you know and offer to move the marker back to the right edge of the latest item in the edit. - This will even allow you to do some regular 3- or 4-point editing earlier in the sequence before continuing with the assembly line edits. - Just place the destination IN marker anywhere in the project and answer -\begin_inset Quotes bld -\end_inset - -No -\begin_inset Quotes brd -\end_inset - - when the message box appears. - Note that this function can also be used in multi-tab S-D editing mode (see below). -\end_layout - -\begin_layout Standard - -\series bold -Insert with -\nospellcheck on -Timestretching -\nospellcheck default - -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F4} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Makes the source material fit the the space in between the destination markers using time-stretching vs rippling later material. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - Requires placing all four S-D markers. - This is less useful for classical music editing but perhaps very useful for video work where replacement material has to fit exactly into the time used by the original. - Crossfade length is set via ReaClassical Project Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - . - Note that this function can also be used in multi-tab S-D editing mode (see below). -\end_layout - -\begin_layout Standard - -\series bold -Delete with Ripple -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -backspace} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Deletes material between the source markers, - rippling all later material. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - This only affects the folder group that was highlighted when the source markers were placed which will almost always be the destination group (the top folder in the project). - Crossfade length is set via ReaClassical Project Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - . -\end_layout - -\begin_layout Standard - -\series bold -Delete Leaving Silence -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -backspace} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Deletes material between the source markers, - no rippling of later material. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -This is similar to -\emph on -Delete with Ripple -\emph default - but instead leaves a gap where the original source material existed. -\end_layout - -\begin_layout Standard - -\series bold -Add Source Project Marker -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+3} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+4} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Enables multi-tab editing -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -To work in multi-tab S-D edit mode, - the user is required to use the S-D project markers as a pair, - one in the -\begin_inset Quotes bld -\end_inset - -destination -\begin_inset Quotes brd -\end_inset - - tab and the other in the -\begin_inset Quotes bld -\end_inset - -source -\begin_inset Quotes brd -\end_inset - - tab. - In multi-tab S-D edit mode, - any source makers placed by the user are not deleted in order to aid a quick undo in the destination tab ready to reapply a tweaked edit. -\end_layout - -\begin_layout Standard - -\series bold -Add Destination Project Marker -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+1} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+2} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Enables multi-tab editing -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -To work in multi-tab S-D edit mode, - the user is required to use the S-D project markers as a pair, - one in the -\begin_inset Quotes bld -\end_inset - -destination -\begin_inset Quotes brd -\end_inset - - tab and the other in the -\begin_inset Quotes bld -\end_inset - -source -\begin_inset Quotes brd -\end_inset - - tab. - In multi-tab S-D edit mode, - any source makers placed by the user are not deleted in order to aid a quick undo in the destination tab ready to reapply a tweaked edit. -\end_layout - -\begin_layout Standard - -\series bold -Delete all S-D Markers -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -del} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Deletes source and destination markers. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Useful if you want to abandon a S-D edit, - however, - there's also no problem leaving the markers for another time given that shortcuts -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - - , -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - - , -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - replace any existing version of the marker. - Also when running -\emph on -Create CD Markers -\emph default - function all markers are deleted in any case. -\end_layout - -\begin_layout Standard - -\series bold -Delete all S-D Project Markers -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+ -\backslash -del} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Deletes both source and destination project markers -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -In order to switch back to regular single-tab S-D editing, - it is important to run this command otherwise the S-D edit functions will continue to attempt to find markers elsewhere. -\end_layout - -\begin_layout Standard - -\series bold -Classical Crossfade Editor -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Opens a custom two-line crossfade editor view for precise finessing of S-D edits. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -To enter the crossfade view, - select the right-hand item of a crossfaded item pair (or hover over the item if -\begin_inset Quotes bld -\end_inset - -Add S-D Markers at Mouse Hover -\begin_inset Quotes brd -\end_inset - - is set to 1 in ReaClassical Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -). - The user is then presented with a zoomed-in view of the edit. - Red is always the left item, - green the right. - For safety reasons, - all items in the first folder before the left red item are locked to avoid inadvertently messing with an existing fade. - Further, - ReaClassical uses a feature similar to -\begin_inset Quotes bld -\end_inset - -Classical Mode -\begin_inset Quotes brd -\end_inset - - in Sequoia's fade editor. - Essentially, - the user is free to move the left item but on running Classical Crossfade -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - - or exiting using -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - - (after, - for example, - setting a more complex fade by hand), - the red item snaps back to its original position (all future items are also relatively shifted), - thereby perfectly preserving the previous fade. - To immediately audition, - use the A shortcut in one of four areas. - Hover the mouse in either of the blank areas (no media item) in the top left or bottom right of the view to audition the function from that location to the mirrored location on the other side of the edit. - Note how easy it is to quickly set an audition length! - Or, - hover the mouse on the first item and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - to just audition the material into the fade. - Hover and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - on the outgoing item to only hear the material out of the fade. - Note that auditioning in the arrange window or in fade editor mode maintains muted items on the folder track (for example, - in the case of a muted guide track created by Prepare Takes -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{T} -\end_layout - -\end_inset - - for mono-channel -\nospellcheck on -polywav -\nospellcheck default - import. -\end_layout - -\begin_layout Standard -To actually finesse the edit, - ensure at least one of the crossfaded items is selected. - Then hover your mouse in a blank area (similar to the above fade editor audition tool process) and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Z} -\end_layout - -\end_inset - -. - You'll notice that the waves mirror extend to the mouse position to allow for easy lining up of the material. - Place the edit cursor at an appropriate edit point on the left red item (i.e. - just before a transient) then simply move the right green item to align and then press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - -. - Audition again, - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Z} -\end_layout - -\end_inset - - to expand again. - You can quickly move to the previous or next crossfade pair (with all coloring and locking automatically happening behind the scenes) by pressing -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Q} -\end_layout - -\end_inset - - or -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{W} -\end_layout - -\end_inset - -. - Or, - simply press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - - to exit the fade view (it goes without saying that the original colors of the project items are restored). -\end_layout - -\begin_layout Standard -Note also that while in crossfade editor view, - any edits only affect the destination group. -\end_layout - -\begin_layout Standard - -\series bold -Edit Classical Crossfade -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Z} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Expand the crossfade for editing while in the crossfade editor view. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - This shortcut will only work while in crossfade editor view. - If you attempt to use it in other situations, - you will receive a helpful message. - As described above, - when either one or both items are highlighted, - hover your mouse in a blank area and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Z} -\end_layout - -\end_inset - - . - You'll notice that the waveforms are mirror extended to allow for easy lining up of the material. - Simply put the edit cursor just before a transient on the red item, - move the green right item to align, - and then press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - -. - -\end_layout - -\begin_layout Standard - -\series bold -Classical Crossfade -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Create a -\begin_inset Quotes bld -\end_inset - -classical -\begin_inset Quotes brd -\end_inset - - crossfade either in regular project view or crossfade editor mode. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -While in the project view, - drag an item (or grouped items) over another, - move the edit cursor where you want the edit to happen and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - -. - Given the availability of S-D edit functionality and group razor-editing, - this function is less useful in this context. - However, - it is essential in the crossfade editor mode for making the edit. - Crossfade length is set via ReaClassical Project Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - . -\end_layout - -\begin_layout Standard - -\series bold -Mastering Mode -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+M} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default - Allows for focused work on the destination group. - Couple with -\begin_inset Quotes bld -\end_inset - -automation -\begin_inset Quotes brd -\end_inset - - mode, - to add mixer and FX parameter values as envelope points -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Enter -\begin_inset Quotes bld -\end_inset - -automation -\begin_inset Quotes brd -\end_inset - - mode via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - -. - All the envelope buttons will turn blue ( -\begin_inset Quotes bld -\end_inset - -latched preview -\begin_inset Quotes brd -\end_inset - -) and you will see a message box with instructions. - You can then use the function below. - Exit -\begin_inset Quotes bld -\end_inset - -automation -\begin_inset Quotes brd -\end_inset - - mode again via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - -. - The envelope buttons will then turn green ( -\begin_inset Quotes bld -\end_inset - -read -\begin_inset Quotes brd -\end_inset - - mode). -\end_layout - -\begin_layout Standard - -\series bold -Automation Mode -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Coupled with -\begin_inset Quotes bld -\end_inset - -mastering -\begin_inset Quotes brd -\end_inset - - mode, - allows for adding mixer and FX parameter values as envelope points -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Enter -\begin_inset Quotes bld -\end_inset - -automation -\begin_inset Quotes brd -\end_inset - - mode via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - -. - All the envelope buttons will turn blue ( -\begin_inset Quotes bld -\end_inset - -latched preview -\begin_inset Quotes brd -\end_inset - -) and you will see a message box with instructions. - You can then use the function below. - Exit -\begin_inset Quotes bld -\end_inset - -automation -\begin_inset Quotes brd -\end_inset - - mode again via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - -. - The envelope buttons will then turn green ( -\begin_inset Quotes bld -\end_inset - -read -\begin_inset Quotes brd -\end_inset - - mode). -\end_layout - -\begin_layout Standard - -\series bold -Insert Automation -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{I} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Insert mixer and FX values as envelope points into automation lanes -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Simply set any desired mixer controls or parameters in an open FX window) on one or more tracks and press -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{I} -\end_layout - -\end_inset - - to enter the values as points on the automation lanes at the edit cursor position or, - if one exists, - within the time selection. -\end_layout - -\begin_layout Standard - -\series bold -Reposition CD Tracks -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+Y} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Create uniform custom spacing between CD tracks. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Using the same system as -\emph on -Create CD Markers -\emph default - below, - this function works intelligently based on whether items have a take name. - If the take name is present, - the desired silent gap is created. - If not, - the crossfade (or gap) is respected by shifting the item by the same amount as the previous one. -\end_layout - -\begin_layout Standard - -\series bold -Shift CD track one track to the left/right -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyleft} -\end_layout - -\end_inset - - and -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyright} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Shift CD tracks left and right along the timeline. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -Select the start of a CD track and use the shortcuts to rearrange the order of your album. - The function treats crossfaded CD track starts as part of the same group to cover instances where a movement follows on -\emph on -attacca -\emph default -to maintain the correct order. - Then simply run or re-run the -\emph on -Create CD Markers -\emph default - function to create new markers that align with item starts. -\end_layout - -\begin_layout Standard - -\series bold -Remove Take Names from Destination Parent -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+T} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Run after source-destination editing is complete to remove recorded/imported take names from destination parent items in preparation for using the Create CD Markers function. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -At this stage, - the only items present in the destination folder should be those comprising the final album. - If working in horizontal workflow mode up to this point, - drag any source material to new group by first creating an empty duplicate folder via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - -. - As mentioned below, - add take names only to destination parent items that are to become CD track starts. -\end_layout - -\begin_layout Standard - -\series bold -Create CD Markers -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Y} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Auto-generation of CD/DDP markers, - UPC/ISRC codes, - and room tone automation, - for efficient DDP, - bin/cue and individual file exporting. - Checks against Redbook standards and returns warning messages if there are 1) more than 99 tracks, - or 2) There are tracks shorter than 4 seconds, - or 3) the total length of the project is greater than 79.57 minutes. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -This might be the biggest time-saving function in the ReaClassical system. - It works as follows: - 1) Edit gaps between items until you are happy 2) Add take names only to items that will become CD track starts 3) Run the function via shortcut -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Y} -\end_layout - -\end_inset - - and you will be asked to enter various information including UPC/ISRC (optional) and CD metadata. - Done! - Note that ISRC codes are auto-generated per track based on the numbers you enter. -\end_layout - -\begin_layout Standard -You can add audio to the initial -\nospellcheck on -pre-gap -\nospellcheck default - (easter egg track) by not giving the first item (or crossfaded items) a take name. - The function will assume that this is supposed to be hidden and generate the initial -\nospellcheck on -pre-gap -\nospellcheck default - length accordingly. - All album metadata is placed towards the end of the album inside a default 7-second silent lead-out (so that CD players in cars don't immediately cycle back to the first track without a little breathing room). - This value can be changed via the ReaClassical Project Preferences -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - . - In addition to markers, - regions are also generated for easy exporting of individual tracks. - If you need a countdown into a track, - simply add a ! - at the start of the take name (e.g. - -\begin_inset Quotes bld -\end_inset - -!Allegro -\begin_inset Quotes brd -\end_inset - -). - Then after running the function adjust the position as desired (it defaults to 3 seconds in length but this can easily be set in ReaClassical Preferences). - It is worth repeating at this point that you should only give names to items that are track starts. - If you skip an item, - the function rightly assumes it is part of the previous track. - Note that the markers snap to exact CD frames and if the media item start is in between CD frames, - the function will always place the marker on the earlier of the two. - By default, - the function uses a 200ms offset for placement of the markers (as in, - markers appear 200ms to the left of the media item start) but, - again, - this value can be set via ReaClassical Preferences. -\end_layout - -\begin_layout Standard -If a room tone track exists in the project, - the function will also generate volume automation to create perfect crossfades with the items on the first destination track. - Slicing and dicing room tone audio to fill in digital silence is now a thing of the past. - Simply add a long recorded or convolution-generated room tone audio item before running the function. - The ReaClassical way of dealing with room tone is non-destructive and instant! - -\end_layout - -\begin_layout Standard -I feel that once you try this CD/DDP marker generation workflow, - it is difficult to ever go back to other ways of working. - The key thing to think about is that the markers and room tone fade-ins and outs are trivially easy to recreate if you change a gap between items or even rearrange the order of tracks. - Just run the function again. - The key is the workflow: - all marker generation is automatically based on item positioning and naming. - Plus, - all metadata and ISRC is saved into the project file so once entered you don't have to ever type it in again unless you need to make changes. - Room tone volume changes are made via auto-generated volume envelope points that precisely map REAPER's built-in fade curves. -\end_layout - -\begin_layout Standard -Hopefully you agree that this way of working with CD/DDP layout is a game-changer, - a real time-saver and simply a better way of thinking about this portion of the mastering process. -\end_layout - -\begin_layout Standard - -\series bold -Markers to CUE -\series default - -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{C} -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Once you have used the -\emph on -Create CD Markers -\emph default -function, - it is now extremely easy to generate a CUE file and album reports using partly auto-generated metadata. -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default -The genre defaults to classical, - the year listed is the current year and the filename is based on the project name. - Simply fill in the remaining details and press OK. - Depending on the extension you choose, - the CUE file will add the correct format to the accordingly. - The CUE file (matching the given filename) is generated in the root of the project path along with an album report suitable for including when sending off to a CD factory or client. - Any data entered is stored and recalled the next time you use the function. - Before or after using the function, - generate a whole project render in WAV, - MP3, - AIFF or FLAC using the included render preset. - Then drag the CUE file into the same folder. -\end_layout - -\begin_layout Standard - -\series bold -Lock Toggle (deprecated) -\end_layout - -\begin_layout Standard - -\emph on -Description: - -\emph default -Lock every source group (leaving the destination group free for editing in ripple-all mode) -\end_layout - -\begin_layout Standard - -\emph on -Notes: - -\emph default - This function is now deprecated but I will leave in place for now. - It was useful before the new -\emph on -Create CD Markers -\emph default - function came into being as a way to engage ripple-all mode without disturbing source group items, - thereby allowing moving of destination material along with CD markers in the final stages of the mastering process. - There is no doubt that I much prefer working with the newer function. - The lock toggle icon on the custom toolbar has now been replaced by a mug to represent the -\emph on -Create CD Markers -\emph default - action. -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Section -Shortcuts -\end_layout - -\begin_layout Standard - -\series bold -Navigation -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Home} -\end_layout - -\end_inset - - Project Start -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{End} -\end_layout - -\end_inset - - Project End -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{`} -\end_layout - -\end_inset - - Whole Project View (Horizontal) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+`} -\end_layout - -\end_inset - - Whole Project View (Vertical) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -return} -\end_layout - -\end_inset - - Find Take (based on number found at the end of a filename and optional session name) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -tab} -\end_layout - -\end_inset - - Jump to Time (within selected item(s) or project) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyup} -\end_layout - -\end_inset - - Increase peaks display zoom for project -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeydown} -\end_layout - -\end_inset - - Decrease peaks display zoom for project -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Q} -\end_layout - -\end_inset - - Previous Item edge / previous crossfade (when in crossfade editor view) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{W} -\end_layout - -\end_inset - - Next Item edge / next crossfade (when in crossfade editor view) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{,} -\end_layout - -\end_inset - - Previous Marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{.} -\end_layout - -\end_inset - - Next Marker -\end_layout - -\begin_layout Standard - -\series bold -Folder & Source Group Preparation -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F7} -\end_layout - -\end_inset - - Create/Sync Horizontal Workflow (prompts for number of tracks) / Re-build routing etc -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F8} -\end_layout - -\end_inset - - Create/Sync Vertical Workflow (from scratch or from single existing folder) / Re-build routing etc -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F10} -\end_layout - -\end_inset - - Explode multi-channel items (polywavs) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -textbackslash} -\end_layout - -\end_inset - - Duplicate Folder (no items) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+T} -\end_layout - -\end_inset - - Add Track To All Groups -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -shift+ -\backslash -del} -\end_layout - -\end_inset - - Delete Track From All Groups -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -#} -\end_layout - -\end_inset - - Add one or more special tracks (aux, - submix, - roomtone, - reference) -\end_layout - -\begin_layout Standard - -\series bold -Recording & Take Management -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+F9} -\end_layout - -\end_inset - - Auto set recording inputs based on track names -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F9} -\end_layout - -\end_inset - - Classical Take Record -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+space} -\end_layout - -\end_inset - - Record-pause -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+F9} -\end_layout - -\end_inset - - Increment take number while recording (use only during silence) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+=} -\end_layout - -\end_inset - - Rank take higher -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+-} -\end_layout - -\end_inset - - Rank take lower -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+0} -\end_layout - -\end_inset - - Remove any take ranking -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -enter} -\end_layout - -\end_inset - - Open Take Counter -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -Alt+C} -\end_layout - -\end_inset - - Open Big Clock -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{T} -\end_layout - -\end_inset - - Prepare Takes -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+T} -\end_layout - -\end_inset - - Remove Take Names From Destination Parent Track -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{K} -\end_layout - -\end_inset - - Colorize (add custom color to item group) -\end_layout - -\begin_layout Standard - -\series bold -Editing -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{A} -\end_layout - -\end_inset - - Audition (full mix or child track) at mouse position (includes any unmuted @ aux or # submix connections) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+A} -\end_layout - -\end_inset - - Audition with custom playback rate (value set via -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - -) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{D} -\end_layout - -\end_inset - - Display child tracks (plus display automation lanes in -\begin_inset Quotes bld -\end_inset - -mastering -\begin_inset Quotes brd -\end_inset - - mode) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{E} -\end_layout - -\end_inset - - Ensconce (hide) child tracks (plus hide automation lanes in -\begin_inset Quotes bld -\end_inset - -mastering -\begin_inset Quotes brd -\end_inset - - mode) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{S} -\end_layout - -\end_inset - - Split item -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{J} -\end_layout - -\end_inset - - Join (glue) item -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{G} -\end_layout - -\end_inset - - Group items -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{U} -\end_layout - -\end_inset - - Ungroup items -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F} -\end_layout - -\end_inset - - Open ReaClassical Crossfade Editor -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{X} -\end_layout - -\end_inset - - Create a classical crossfade -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Z} -\end_layout - -\end_inset - - Extent crossfaded items for editing (when in ReaClassical Fade Editor view) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{V} -\end_layout - -\end_inset - - Toggle per-track ripple editing -\end_layout - -\begin_layout Standard - -\series bold -S-D Editing -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{1} -\end_layout - -\end_inset - - Add Destination IN marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{2} -\end_layout - -\end_inset - - Add Destination OUT marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{3} -\end_layout - -\end_inset - - Add Source IN marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{4} -\end_layout - -\end_inset - - Add Source OUT marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{5} -\end_layout - -\end_inset - - Make S/D Edit (2-, - 3-, - or 4-point cut) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F3} -\end_layout - -\end_inset - - 3-point -\begin_inset Quotes bld -\end_inset - -Assembly Line -\begin_inset Quotes brd -\end_inset - - edit -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F4} -\end_layout - -\end_inset - - Insert with time-stretching (All 4 S-D markers) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -backspace} -\end_layout - -\end_inset - - Delete with ripple (between 2 source markers) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -backspace} -\end_layout - -\end_inset - - Delete Leaving Silence (between 2 source markers) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+1} -\end_layout - -\end_inset - - Add Destination Project Marker (multi-tab S-D editing) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -Alt+3} -\end_layout - -\end_inset - - Add Source Project Marker (multi-tab S-D editing) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ctrl+F12} -\end_layout - -\end_inset - - Add Destination Markers to edges of selected item(s) or time selection (time selection takes precedence) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F12} -\end_layout - -\end_inset - - Add Source Markers to edges of selected item(s) or time selection (time selection takes precedence) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+1} -\end_layout - -\end_inset - - Move to Destination IN marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+2} -\end_layout - -\end_inset - - Move to Destination OUT marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+3} -\end_layout - -\end_inset - - Move to Source IN marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+4} -\end_layout - -\end_inset - - Move to Source OUT marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -Alt+1} -\end_layout - -\end_inset - - Zoom to Destination IN marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -Alt+2} -\end_layout - -\end_inset - - Zoom to Destination OUT marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -Alt+3} -\end_layout - -\end_inset - - Zoom to Source IN marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -Alt+4} -\end_layout - -\end_inset - - Zoom to Source OUT marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -del} -\end_layout - -\end_inset - - Delete all S-D Markers -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+ -\backslash -del} -\end_layout - -\end_inset - - Delete all S-D Project Markers -\end_layout - -\begin_layout Standard - -\series bold -Mastering -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+M} -\end_layout - -\end_inset - - Enter Mastering Mode -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+I} -\end_layout - -\end_inset - - Enter Automation Mode -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{I} -\end_layout - -\end_inset - - Insert Automation (mixer controls and FX parameters to envelope points) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{Y} -\end_layout - -\end_inset - - Automatically generate a DDP set from items -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+Y} -\end_layout - -\end_inset - - Reposition CD tracks -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyleft} -\end_layout - -\end_inset - - Shift CD track one track to the left -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+ -\backslash -arrowkeyright} -\end_layout - -\end_inset - - Shift CD track one track to the right -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{M} -\end_layout - -\end_inset - - Add Marker -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{N} -\end_layout - -\end_inset - - Open/Close SWS Notes -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{L} -\end_layout - -\end_inset - - Marker List (SWS) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{;} -\end_layout - -\end_inset - - Regions from items (SWS) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{:} -\end_layout - -\end_inset - - Region from selection -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{/} -\end_layout - -\end_inset - - Selection to item(s) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{C} -\end_layout - -\end_inset - - Generate CUE file and album reports from project CD markers -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{R} -\end_layout - -\end_inset - - Render -\end_layout - -\begin_layout Standard - -\series bold -Miscellaneous -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F5} -\end_layout - -\end_inset - - ReaClassical Preferences (set crossfade length, - CD track offset, - INDEX0 pre-gap length, - Album lead-out time) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{F6} -\end_layout - -\end_inset - - Open/Close ReaClassical custom toolbar -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{H} -\end_layout - -\end_inset - - Open ReaClassical help system (currently the PDF manual) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+H} -\end_layout - -\end_inset - - Open ReaClassical audio calculator -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{O} -\end_layout - -\end_inset - - Options (Preferences) -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{P} -\end_layout - -\end_inset - - Project Settings -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{B} -\end_layout - -\end_inset - - Batch file converter -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -shift+U} -\end_layout - -\end_inset - - Check for ReaClassical updates -\end_layout - -\begin_layout Labeling -\labelwidthstring 00.00.0000 -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -keys{ -\backslash -ctrl+U} -\end_layout - -\end_inset - - Check for REAPER updates (using REAPER update utility) -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Section -Recommended Free Mastering-Grade Plugins -\end_layout - -\begin_layout Standard -First stop: - -\emph on -Reaplugs -\emph default -, - with particular mention of -\emph on -ReaLimit -\emph default - which I consider one of the best free transparent limiter available. - You could easily mix and master a whole album using only these fine plugins. - Others include: -\end_layout - -\begin_layout Standard -EQ: - -\end_layout - -\begin_layout Itemize - -\series bold -RCChannelEQ -\series default - (ReaClassical Channel EQ, - included in the ReaClassical portable install and available in ReaPack via my -\begin_inset CommandInset href -LatexCommand href -name "repository" -target "https://github.com/chmaha/ReaClassical/raw/main/index.xml" -literal "false" - -\end_inset - -). - Uses DSP from airwindows -\begin_inset Quotes bld -\end_inset - -Baxandall -\begin_inset Quotes brd -\end_inset - - and Stillwell's RBJ Highpass/Lowpass Filters for broad-strokes EQing. -\end_layout - -\begin_layout Itemize - -\series bold -RCMasteringEQ -\series default - (ReaClassical Mastering EQ, - included in the ReaClassical portable install and available in ReaPack via my -\begin_inset CommandInset href -LatexCommand href -name "repository" -target "https://github.com/chmaha/ReaClassical/raw/main/index.xml" -literal "false" - -\end_inset - -). - Uses DSP from airwindows -\begin_inset Quotes bld -\end_inset - -Hull2 -\begin_inset Quotes brd -\end_inset - - with added -\begin_inset Quotes bld -\end_inset - -Range -\begin_inset Quotes brd -\end_inset - - drop-down ( -\begin_inset Quotes bld -\end_inset - -Classical -\begin_inset Quotes brd -\end_inset - - or -\begin_inset Quotes bld -\end_inset - -Full -\begin_inset Quotes brd -\end_inset - -) for transparent, - musical, - broad-strokes EQing. -\end_layout - -\begin_layout Itemize - -\series bold -ReEQ -\series default - -\begin_inset CommandInset href -LatexCommand href -target "https://forum.cockos.com/showthread.php?t=213501" - -\end_inset - -. - An amazing Fabfilter Pro-Q clone for detailed EQ work. - Also comes with ReSpectrum which is an excellent analyzer. - Both are included with the ReaClassical install. -\end_layout - -\begin_layout Standard -Compression: - -\end_layout - -\begin_layout Itemize - -\series bold -RCCompressor -\series default - (ReaClassical compressor, - included in the ReaClassical portable install and available in my repository). - Uses DSP from Express Bus Compressor by Stillwell. - Default settings and ranges tuned to classical music with auto release. - Use as an insert. -\end_layout - -\begin_layout Itemize - -\series bold -RCParallelK -\series default - (ReaClassical parallel -\begin_inset Quotes bld -\end_inset - -Katz -\begin_inset Quotes brd -\end_inset - - compressor, - included in the ReaClassical portable install and available in my repository). - Also uses DSP from Express Bus Compressor by Stillwell to recreate the Bob Katz -\begin_inset Quotes bld -\end_inset - -transparent -\begin_inset Quotes brd -\end_inset - - parallel compression settings. - There's only a make-up gain slider as everything else is baked in (-50dB threshold, - 2.5:1 ratio, - 1ms attack, - peak detection mode). - Use on a dedicated compressor bus and adjust the gain slider to taste (with the compressor signal somewhere between -15dB and -5dB lower than dry signal according to Katz). -\end_layout - -\begin_layout Standard -Limiter: - -\end_layout - -\begin_layout Itemize - -\series bold -RCLimiter -\series default - (ReaClassical limiter, - included in the ReaClassical portable install and available in my repository). - Uses DSP from Smooth Limiter by Geraint Luff to which I added 4x oversampling code. - Defaults are tuned to classical music with true-peak and look-ahead functionality. - Adjust the release to taste. -\end_layout - -\begin_layout Standard -Reverb: - -\end_layout - -\begin_layout Itemize - -\series bold -Convolution: - -\series default - Convology XT (also runs perfectly at time of writing via yabridge on Linux) coupled with the Samplicity -\begin_inset CommandInset href -LatexCommand href -name "Bricasti M7 impulses" -target "https://samplicity.com/bricasti-m7-impulse-response-files/" -literal "false" - -\end_inset - -. - There are other free convolution plugins to use but, - whatever the plugin choice, - the Bricasti impulses in true stereo are fantastic and sound almost identical to the presets of the well-regarded Liquidsonics Seventh Heaven Professional. - -\end_layout - -\begin_layout Itemize - -\series bold -Algorithmic: - -\series default - For free and open source options try my -\begin_inset CommandInset href -LatexCommand href -name "RCVerb" -target "https://github.com/chmaha/RCverb/releases" -literal "false" - -\end_inset - - or -\begin_inset CommandInset href -LatexCommand href -name "Enover" -target "https://github.com/chmaha/Enover/releases/tag/v0.9" -literal "false" - -\end_inset - - which uses zita-rev1 DSP. - For paid options, - ValhallaDSP Room and Vintage Verb, - Fabfilter Pro-R, - Voxengo Sobor, - Acon Digital Verberate 2 and Sonible smart:reverb are all excellent -\nospellcheck on -non-iLok -\nospellcheck default - options for classical music and work seamlessly via yabridge on Linux. - Note that the Liquidsonics offerings no longer require a physical -\nospellcheck on -iLok -\nospellcheck default - so can also be used on Linux via yabridge and iLok Cloud activation if you are feeling brave. -\end_layout - -\begin_layout Standard -Final mastering magic: -\end_layout - -\begin_layout Itemize - -\series bold -\begin_inset Quotes bld -\end_inset - -Sonnox Inflator -\begin_inset Quotes brd -\end_inset - --style wave-shaping: - -\series default - Try -\series bold -RCInflator Ultimate -\series default - (a clone of the Sonnox product) or -\series bold -MagicFairyDust -\series default - on the final stereo bus. - Both effects are included in the ReaClassical portable install. -\end_layout - -\begin_layout Itemize -Or, - for an easy complete console vibe, - use the -\series bold -RCConsoleChannel -\series default -, - -\series bold -RCConsoleBus -\series default -, - and -\series bold -RCConsoleFinalizer -\series default - at the end of regular tracks, - busses and final 2-bus respectively. - Note that RCConsoleChannel does not have any controls. -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/RCInflator Ultimate.png - scale 50 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -RCInflator Ultimate -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Plain Layout - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -Restoration: - -\end_layout - -\begin_layout Itemize - -\series bold -Bertom Denoiser -\series default - -\series bold -Classic -\series default - -\begin_inset CommandInset href -LatexCommand href -target "https://www.bertomaudio.com/" - -\end_inset - -. - -\series bold -Denoiser Pro -\series default - ($25) allows for individual per-band thresholds and includes an adaptive mode. -\end_layout - -\begin_layout Itemize - -\series bold -RCDeEss Standard -\series default -(ReaClassical de-esser, - included in the ReaClassical portable install and available in my repository). - Uses DSP from airwindows DeEss. -\end_layout - -\begin_layout Itemize - -\series bold -RCDeEss Advanced -\series default - (ReaClassical advanced de-esser, - included in the ReaClassical portable install and available in my repository). - Uses DSP from airwindows DeBess. - -\end_layout - -\begin_layout Standard -Utilities: - -\end_layout - -\begin_layout Itemize - -\series bold -RCGain -\series default - (ReaClassical gain plugin, - included in the ReaClassical portable install and available in my repository). - Uses DSP from airwindows PurestGain. - Useful before or after plugins in lieu of a native channel trim knob. -\end_layout - -\begin_layout Itemize - -\series bold -JS Loudness Meter Peak/RMS/LUFS -\series default - (Cockos) (included with REAPER). - -\end_layout - -\begin_layout Itemize - -\series bold -RCTime&PhaseTool -\series default - (ReaClassical timing and phase tool, - included in the ReaClassical portable install and available in my repository). - Add to a spot microphone channel. - Achieves something similar to Merging's PanNoir to correctly align spot microphone channels with the main pair based on a fundamental Euclidean geometric relation to create a more impactful stereo image. -\end_layout - -\begin_layout Itemize - -\series bold -RCMidSide -\series default -(ReaClassical mid-side encoder-decoder, - included in the ReaClassical portable install and available in my repository). - Use the default decoder mode if wanting to convert recorded mid-side to regular left-right stereo. -\end_layout - -\begin_layout Itemize - -\series bold -RCDither -\series default - (ReaClassical dither plugin, - included in the ReaClassical portable install and available in my repository). - Uses DSP from airwindows Not-Just-Another-Dither (Monitoring version) here called -\emph on -Avant-garde -\emph default -. - This just might be the world's finest dither. - There's a drop-down to select between 16-bit and 24-bit. - -\end_layout - -\begin_layout Standard -For descriptions of the other 100+ jsfx airwindows ports (covering dithers, - compressors, - console emulations, - saturation/distortion, - delays, - bass-specific, - brightness, - hard and soft clippers, - reverbs, - tape/vinyl emulations, - exciters, - stereo wideners, - monitoring utilities and more, - please see the -\begin_inset CommandInset href -LatexCommand href -name "dedicated REAPER forums thread" -target "https://forum.cockos.com/showthread.php?t=275301" -literal "false" - -\end_inset - - and import the -\begin_inset CommandInset href -LatexCommand href -name "airwindows JSFX ports" -target "https://github.com/chmaha/airwindows-JSFX-ports/raw/main/index.xml" -literal "false" - -\end_inset - - repository into ReaPack. -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Section -System Tweaks -\end_layout - -\begin_layout Subsection -Windows -\end_layout - -\begin_layout Standard -For a modern Windows 10/11 setup, - required tweaks are minimal. - Ensure that you are using -\begin_inset Quotes bld -\end_inset - -High Performance -\begin_inset Quotes brd -\end_inset - - or ideally -\begin_inset Quotes bld -\end_inset - -Ultimate Performance -\begin_inset Quotes brd -\end_inset - -. - which, - if not available, - can be activated by opening a command prompt and typing: - -\begin_inset listings -inline false -status open - -\begin_layout Plain Layout - -powercfg -duplicatescheme e9a42b02-d5df-448d-aa00-03f14749eb61 -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -You can then select it from the usual power plan dialog. - For best device performance, - remember to use the ASIO drivers that were included with your audio interface. - Consider disabling your network card during mission-critical recording. - For further tips see Microsoft's -\begin_inset CommandInset href -LatexCommand href -name "Unofficial Windows 10 and 11 Audio Workstation build and tweak guide" -target "https://devblogs.microsoft.com/windows-music-dev/unofficial-windows-10-audio-workstation-build-and-tweak-guide-part-2/" -literal "false" - -\end_inset - -. - Of particular interest is Part 3 which discusses what -\emph on -not -\emph default - to do (including not setting your processor scheduling to -\begin_inset Quotes bld -\end_inset - -background services -\begin_inset Quotes brd -\end_inset - -). -\end_layout - -\begin_layout Subsection -MacOS -\end_layout - -\begin_layout Standard -Performance should be excellent out of the box. - Remember to disable energy saving ( -\begin_inset ERT -status open - -\begin_layout Plain Layout - - -\backslash -menu{System Preferences > Energy Saver} -\end_layout - -\end_inset - -) so that sessions are not interrupted. - Consider disabling your network card during mission-critical recording. - If you are experiencing any audio issues while in your DAW, - for tips see Focusrite's -\begin_inset CommandInset href -LatexCommand href -name "optimization page" -target "https://support.focusrite.com/hc/en-gb/sections/360004958539-Optimisation" -literal "false" - -\end_inset - -. -\end_layout - -\begin_layout Subsection -GNU/Linux -\end_layout - -\begin_layout Standard -Debian-based distro users should read my -\begin_inset CommandInset href -LatexCommand href -name "Debian Pro Audio Guide" -target "https://github.com/chmaha/DebianProAudio" -literal "false" - -\end_inset - -. - Those on Arch-based should visit my -\begin_inset CommandInset href -LatexCommand href -name "Arch Pro Audio Guide" -target "https://github.com/chmaha/ArchProAudio" -literal "false" - -\end_inset - -. - Performance out of the box on Linux is getting better with every kernel release and is on par or better than Windows. - As a starting point, - ensure that your username is set up for realtime privileges (step 3 in both guides) and that you set several kernel parameters to ensure you are running the performance governor, - threadirqs and dynamic preempt (step 4). - To make things even easier, - consider using a dedicated audio/video distro like AVLinux or Ubuntu Studio where everything is already set up for you. - -\emph on -Rea -\emph default -ClassicalOS is also in the pipeline. -\end_layout - -\begin_layout Subsection -Cross-platform -\end_layout - -\begin_layout Standard -The good news is that REAPER and ReaClassical run on nine different architectures. - You should always be able to open up a project on another machine even if it is running a different OS. - Plus, - ReaClassical includes various mastering-grade plugins in JSFX format that run on all architectures. - -\end_layout - -\begin_layout Standard -\begin_inset Newpage pagebreak -\end_inset - - -\end_layout - -\begin_layout Section -Manual Installation & Tweaks -\end_layout - -\begin_layout Standard -\noindent -(ideally for research only or if you already have a heavily-customized REAPER setup and wish to add all or just parts of ReaClassical) -\end_layout - -\begin_layout Itemize -\noindent -\align left -REAPER (obviously) -\end_layout - -\begin_layout Itemize -\noindent -\align left -SWS/S&M Extension -\end_layout - -\begin_layout Itemize -\noindent -\align left -ReaPack -\end_layout - -\begin_layout Itemize -\noindent -\align left -ReaClassical metapackage (includes ReaClassical default project template, - custom themes and PDF manual) -\end_layout - -\begin_layout Itemize -\noindent -\align left -ReaClassical -\begin_inset CommandInset href -LatexCommand href -name "Resource folder base" -target "https://github.com/chmaha/ReaClassical/raw/main/Resource%20Folders/Resource_Folder_Base.zip" -literal "false" - -\end_inset - - -\end_layout - -\begin_layout Standard -\noindent -\align left -So, - the first thing is to install -\begin_inset CommandInset href -LatexCommand href -name "REAPER" -target "https://www.reaper.fm/download.php" -literal "false" - -\end_inset - -. - I’ll let you figure that out yourself. - Next, - install -\begin_inset CommandInset href -LatexCommand href -name "ReaPack" -target "https://reapack.com/" -literal "false" - -\end_inset - - into the UserPlugins subfolder inside the REAPER resource path. - Then install SWS/S&M Extension either via ReaPack or by downloading the appropriate installer at -\begin_inset CommandInset href -LatexCommand href -name "SWS/S&M Extension (bleeding edge)" -target "https://www.sws-extension.org/download/pre-release/" -literal "false" - -\end_inset - -. - Once that’s done, - start/restart REAPER. - You’ll then want to download the following from inside of ReaPack: -\end_layout - -\begin_layout Itemize -\noindent -\align left -ReaClassical -\begin_inset Newline newline -\end_inset - -(by importing my -\begin_inset CommandInset href -LatexCommand href -name "index.xml" -target "https://github.com/chmaha/ReaClassical/raw/main/index.xml" -literal "false" - -\end_inset - - into ReaPack then searching for -\begin_inset Quotes bld -\end_inset - -ReaClassical -\begin_inset Quotes brd -\end_inset - -) -\end_layout - -\begin_layout Itemize -Various ReaClassical JSFX plugins (after importing my repository, - search ReaPack for -\begin_inset Quotes bld -\end_inset - -RCPlugs -\begin_inset Quotes brd -\end_inset - -) -\end_layout - -\begin_layout Standard -\noindent -Now, - extract the contents of the resource folder base somewhere outside of your REAPER install. - You need to import one of the key map files from the KeyMap folder (Use -\begin_inset Quotes bld -\end_inset - -ReaClassical -\begin_inset Quotes brd -\end_inset - - for a partial keymap covering the functions or -\begin_inset Quotes bld -\end_inset - -Full_Classical_DAW -\begin_inset Quotes brd -\end_inset - - for the complete experience!). - It’s worth stating here in the main text my warning about backing up your own REAPER configuration before importing mine in case you want to get back to where you were. -\end_layout - -\begin_layout Subsection -ReaClassical Custom Toolbar -\end_layout - -\begin_layout Standard -\noindent -In order to install the toolbar, - copy ReaClassical.ReaperMenu from MenuSets to the same folder inside your REAPER resource path. - Next copy the icons from Data/toolbar_icons to the same folder inside your REAPER install. -\end_layout - -\begin_layout Standard -\noindent -\align left -In REAPER, - right-click on an empty part of the main toolbar and select toolbar 1 (either open or float it). - Select Import/Export in the top right corner and select the ReaClassical.ReaperMenu file. - You should then see menu items and associated icons! -\end_layout - -\begin_layout Subsection -\noindent -Things to do after installing -\end_layout - -\begin_layout Subsubsection -\noindent -Main arrange window -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Uncheck -\noun default - Auto-crossfade, - grid lines (optional), - snap -\begin_inset Foot -status collapsed - -\begin_layout Plain Layout -We will prepare some snap settings later for adding CD markers but for now we don’t want dragging etc to be constrained. -\end_layout - -\end_inset - - buttons -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Check -\noun default - Ripple editing per-track (as opposed to ripple edit all tracks), - Item edit grouping, - move envelope points with media items. - See figure -\begin_inset CommandInset ref -LatexCommand ref -reference "Ripple-editing-per-track" -plural "false" -caps "false" -noprefix "false" -nolink "false" - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status open - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/reaper_default_toolbar.png - scale 75 - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Caption Standard - -\begin_layout Plain Layout -\begin_inset CommandInset label -LatexCommand label -name "Ripple-editing-per-track" - -\end_inset - -“Ripple editing per-track”, - “Item edit grouping” and “move envelope points with media items” engaged... -\end_layout - -\end_inset - - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subsubsection -\noindent -Preferences -\end_layout - -\begin_layout Standard -\noindent -\align left -Some of these options are essential for the functions to work as expected. - Others are just recommended. - -\end_layout - -\begin_layout Subparagraph -\noindent -Project > Item Fade Defaults -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Enable -\noun default - Create automatic fade-in/fade-out for new items, - length: - 0:00.010 -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Enable -\noun default - Overlap and crossfade items when splitting, - length: - 0:00.010 -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Enable -\noun default - Overlap and crossfade media when finalizing razor edits -\end_layout - -\begin_layout Subparagraph -\noindent -Appearance > Peaks/Waveforms -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Uncheck -\noun default - Draw faint peaks in folder tracks -\end_layout - -\begin_layout Subparagraph -\noindent -Appearance > Fades/Crossfades -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Enable -\noun default - When editing crossfades with the mouse, - use crossfade editor theme colors -\end_layout - -\begin_layout Subparagraph -\noindent -Appearance > Track Control Panels -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Ensure -\noun default - Folder collapse button cycles track heights is set to -\begin_inset Quotes bld -\end_inset - -Normal, - small, - collapsed`. - -\end_layout - -\begin_layout Subparagraph -\noindent -Appearance > Zoom/Scroll/Offset -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Change -\noun default - Offset by…percent of item height to 100 -\begin_inset Foot -status collapsed - -\begin_layout Plain Layout -In REAPER versions prior to 6.54, - these options don't exist. - Instead, - under -\emph on -Appearances -\emph default -, - you need to change -\emph on -Maximum number of lanes, - when showing overlapping items -\emph default - to 2 -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Itemize - -\noun on -Check -\noun default - Draw as opaque -\end_layout - -\begin_layout Subparagraph -Editing Behavior -\end_layout - -\begin_layout Itemize - -\noun on -Set -\noun default -Locked item ripple editing behavior to -\begin_inset Quotes bld -\end_inset - -Locked items are unaffected by ripple -\begin_inset Quotes brd -\end_inset - - -\begin_inset Foot -status collapsed - -\begin_layout Plain Layout -Technically not necessary as it is now checked and set at the start of ripple-capable functions. -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Subparagraph -Editing Behavior > Mouse Modifiers -\end_layout - -\begin_layout Itemize - -\noun on -Change -\noun default -Razor edit area left drag default to -\begin_inset Quotes bld -\end_inset - -Move areas, - disabling ripple edit -\begin_inset Quotes brd -\end_inset - - -\end_layout - -\begin_layout Subsubsection -\noindent -Project Settings -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Change -\noun default - Video > Frame rate to 75 -\begin_inset Foot -status collapsed - -\begin_layout Plain Layout -The number of frames per second for red-book CDs. -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Itemize -\noindent -\align left - -\noun on -Change -\noun default - Render resample mode to r8brain free (highest quality, - fast) -\end_layout - -\begin_layout Subsubsection -Theme Tweak -\end_layout - -\begin_layout Itemize -\noindent -\align left -Using the -\begin_inset Quotes eld -\end_inset - -Theme development: - Show theme tweak/configuration window -\begin_inset Quotes erd -\end_inset - - action, - search for -\begin_inset Quotes eld -\end_inset - -mute -\begin_inset Quotes erd -\end_inset - - and change the alpha blend to 0.00. - See figure -\begin_inset CommandInset ref -LatexCommand ref -reference "Setting-mute-overlay" -plural "false" -caps "false" -noprefix "false" -nolink "false" - -\end_inset - -. -\end_layout - -\begin_layout Itemize -Set the super-collapsed value to 0 in rtconfig.txt. - See figure -\begin_inset CommandInset ref -LatexCommand ref -reference "fig:Super-collapsed-value-is" -plural "false" -caps "false" -noprefix "false" -nolink "false" - -\end_inset - -. -\end_layout - -\begin_layout Standard -\noindent -\align left -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status collapsed - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/theme tweak.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -\begin_inset CommandInset label -LatexCommand label -name "Setting-mute-overlay" - -\end_inset - -Setting mute overlay mode -\end_layout - -\end_inset - - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\begin_inset Float figure -placement document -alignment document -wide false -sideways false -status collapsed - -\begin_layout Plain Layout -\noindent -\align center -\begin_inset Graphics - filename user_guide_images/super-collapsed.png - width 100line% - -\end_inset - - -\end_layout - -\begin_layout Plain Layout -\begin_inset Caption Standard - -\begin_layout Plain Layout -\begin_inset CommandInset label -LatexCommand label -name "fig:Super-collapsed-value-is" - -\end_inset - -Super-collapsed value is set to 0 in rtconfig.txt -\end_layout - -\end_inset - - -\end_layout - -\end_inset - - -\end_layout - -\begin_layout Standard -\noindent -\align left -At this point it might be a good idea to Save as default project settings as well as make a classical template (if you didn't download mine) so that you don’t have to do this setup more than once. -\end_layout - -\begin_layout Standard -\begin_inset Newpage pagebreak -\end_inset - - -\begin_inset External - template PDFPages - filename cover-back.pdf - display false - -\end_inset - - -\end_layout - -\end_body -\end_document