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ATMN, NTMI has a lot of wet effects on as default.
This sounds good in dry rooms, or for recording, but not in rooms with more lively acoustics.
Idea for handling this:
make a global WET control that is adjusted by hand
use it in all reverb/delay FX chain functions
Ndef(\globalWET, 1); // keeps current default,
Ndef(\globalWET, 0.25); // medium dry for most concert locations
Ndef(\globalWET, 0); // extra dry for playing in cathedrals
The text was updated successfully, but these errors were encountered:
ATMN, NTMI has a lot of wet effects on as default.
This sounds good in dry rooms, or for recording, but not in rooms with more lively acoustics.
Idea for handling this:
The text was updated successfully, but these errors were encountered: