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m54-11.xml
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<?xml version="1.0" encoding="UTF-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title>M54, 11 of 11. [Anon: there is a jolt at the points...]. Typescript fragment, 1 fol.</title>
<author>Virginia Woolf</author>
<respStmt>
<resp>Encoded by</resp>
<name>Joshua Phillips</name>
</respStmt>
<funder>The Leverhulme Trust: Grant ECF-2022-602</funder>
</titleStmt>
<publicationStmt>
<authority>The Estate of Virginia Woolf, administered by the Society of Authors</authority>
<availability>
<p>© Estate of Virginia Woolf 2022</p>
</availability>
</publicationStmt>
<sourceDesc>
<msDesc>
<msIdentifier>
<institution>New York Public Library</institution>
<repository>Henry W. and Albert A. Berg Collection of English and American Literature</repository>
<idno>m54-11</idno>
</msIdentifier>
<physDesc>
<p>M54, 11 of 11. [Anon: there is a jolt at the points...]. Typescript fragment, 1 fol.</p>
<p>N.B.: This is one of eleven sub-fragments identified in the Berg Collection's M54. [Anon: The printing press brought the past into existence...]. Typescript fragments, unsigned and undated, 35 fols. I have determined pagination and sequencing based on subject matter. M54 as curated by the Berg Collection is available as part of 'The Digital Anon' and can be found at [LINK].</p>
</physDesc>
</msDesc>
</sourceDesc>
</fileDesc>
<profileDesc>
<handNotes>
<handNote xml:id="ms" scribe="vwoo" script="handwritten">
<p>Holograph writing by the documents' main hand, Virginia Woolf</p>
</handNote>
</handNotes>
</profileDesc>
<encodingDesc>
<editorialDecl>
<correction method="markup">
<p>Apparent errors have been explicitly corrected in sic / corr tags, wrapped in a choice element.</p>
</correction>
<interpretation>
<p>Names and references to places and literary works have been wrapped in rs tags which link to annotations and secondary material.</p>
</interpretation>
</editorialDecl>
<projectDesc>
<p>Text encoded as part of 'The Digital "Anon": A Digital Genetic Edition of Virginia Woolf's Final Essays'. This project, funded by Leverhulme Grant ECF-2022-602, seeks to construct a TEI-XML based digital edition of the drafts of 'Anon' and 'The Reader', among the final documents Woolf wrote before her death.</p>
</projectDesc>
</encodingDesc>
</teiHeader>
<text>
<body>
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<p facs="https://llkn576nqxepo6yucgfh2nl2ea0kkigc.lambda-url.eu-west-2.on.aws/iiif/2/m54-11/m54-11-1/815,42,199,194/full/0/default.tif">
<l>23</l>
</p>
<p facs="https://llkn576nqxepo6yucgfh2nl2ea0kkigc.lambda-url.eu-west-2.on.aws/iiif/2/m54-11/m54-11-1/815,214,1775,742/full/0/default.tif">
<l>there is a jolt at the points; the mind slides onto another</l>
<l>rail, lovely as the words are. To speak them the poet has</l>
<l>separated himself from the actors. He cannot yet make <rs type="literary-work" xml:id="lit-tamb" key="Tamburlaine">Tambur</rs></l>
<l><rs type="literary-work" xml:id="lit-tamb">laine</rs> speak those words. The play is still
<choice>
<sic>manly</sic>
<corr>mainly</corr>
</choice> the work</l>
<l>of the undifferentiated audience, demanding great names,</l>
<l>great deeds; simple outlines; and not the single subtlety</l>
<l>of one soul.</l>
</p>
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<l>For the play itself was still anonymous. The lack of <rs xml:id="psn-cmar">Marlowes</rs></l>
<l>name is by
<choice>
<sic>itslef</sic>
<corr>itself</corr>
</choice> enough to show how largely the play was</l>
<l>a common product, written by one hand, but so moulded</l>
<l>in transition from actor to
<choice>
<sic>acotr</sic>
<corr>actor</corr>
</choice> that the author had no</l>
<l>sense of property in it. It was half the work of the audience.</l>
<l>Yet the audience is dumb. <add place="inline">[</add>The silence of the audience is</l>
<l>one of the deep gulfs that lies between us and the
<choice>
<sic>Eliza</sic>
<corr>Elizabethan</corr>
</choice></l>
<l><choice>
<sic>bethan</sic>
<corr>Elizabethan</corr>
</choice> <add place="inline">]</add> The audience was a large one. Fifteen</l>
<l>hundred people, Dr Greg computes, was an average
<choice>
<sic>attanedance</sic>
<corr>attendance</corr>
</choice>.</l>
<l>Their presence, in the penny part of the house, is obvious.</l>
<l>It draws
<choice>
<sic>pup</sic>
<corr>up</corr>
</choice> the
<choice>
<sic>hypberpole</sic>
<corr>hyperbole</corr>
</choice> as a sheet of paper</l>
<l>draws
<choice>
<sic>pup</sic>
<corr>up</corr>
</choice> fire. It makes the writer capable of great strides</l>
<l>and vast audacities beyond his private reach. Yet the
<choice>
<sic>audiene</sic>
<corr>audience</corr>
</choice></l>
<l>sits silent.</l><add place="inline">^</add>
</p>
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<l>To
<choice>
<sic>underdtand</sic>
<corr>understand</corr>
</choice> the silence we must
<choice>
<sic>comapre</sic>
<corr>compare</corr>
</choice> it</l>
<l>with our own
<choice>
<sic>attidtue</sic>
<corr>attitude</corr>
</choice> at the <rs type="literary-work" xml:id="lit-balle" key="Ballet Russes">Russian ballet</rs> at the <rs type="literary-work" xml:id="lit-cine" key="Cinema">
<choice>
<sic>cimme</sic>
<corr>cinema</corr>
</choice></rs></l>
<l>in the early days. A new art comes upon us
<choice>
<sic>si</sic>
<corr>so</corr>
</choice>
<choice>
<sic>surprisningly</sic>
<corr>surprisingly</corr>
</choice></l>
<l>that we are silent, recognising something that we cannot</l>
<l>measure. To <add hand="ms" place="above">the</add> Elizabethans, the power of words after their</l>
<l>long
<choice>
<sic>silnce</sic>
<corr>silence</corr>
</choice> must have been overwhelming. There at the <rs type="place" xml:id="pla-glob" key="Globe, The">Globe</rs></l>
<l>or at the <rs type="person" xml:id="pla-rose" key="Rose, The">Rose</rs> men and women who had never seen themselves</l>
<l>whose only reading was
<choice>
<sic>historyor</sic>
<corr>history or</corr>
</choice> sermon or some old
<choice>
<sic>chornicle</sic>
<corr>chronicle</corr>
</choice></l>
<l>or perhaps could not
<choice>
<sic>r ad</sic>
<corr>read</corr>
</choice> but spent all their days in the</l>
</p>
</div>
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</body>
</text>
</TEI>