From 76bd1c0210f3ffee876bb0ca07ba546ceb84dc23 Mon Sep 17 00:00:00 2001
From: ncondits3 <ncondits3@gatech.edu>
Date: Wed, 27 Dec 2023 20:28:07 -0500
Subject: [PATCH] Added the humdrumR methods for harte(), which I forgot.

---
 NAMESPACE             |  2 ++
 R/Chords.R            |  3 +++
 man/pitchDeparsing.Rd | 36 ++++++++++++++++++------------------
 man/pitchParsing.Rd   | 36 ++++++++++++++++++------------------
 4 files changed, 41 insertions(+), 36 deletions(-)

diff --git a/NAMESPACE b/NAMESPACE
index 1c687bc9..6f97df0e 100644
--- a/NAMESPACE
+++ b/NAMESPACE
@@ -71,6 +71,8 @@ S3method(grid,humdrumR)
 S3method(group_by,humdrumR)
 S3method(harm,default)
 S3method(harm,humdrumR)
+S3method(harte,default)
+S3method(harte,humdrumR)
 S3method(helmholtz,default)
 S3method(helmholtz,humdrumR)
 S3method(hint,default)
diff --git a/R/Chords.R b/R/Chords.R
index e1efc91e..c13d8d9b 100644
--- a/R/Chords.R
+++ b/R/Chords.R
@@ -1672,6 +1672,9 @@ humdrumRmethods('harm')
 #' @exportS3Method chord default
 #' @exportS3Method chord humdrumR
 humdrumRmethods('chord')
+#' @exportS3Method harte default
+#' @exportS3Method harte humdrumR
+humdrumRmethods('harte')
 #' @exportS3Method tertian default
 #' @exportS3Method tertian humdrumR
 humdrumRmethods('tertian')
diff --git a/man/pitchDeparsing.Rd b/man/pitchDeparsing.Rd
index 2b846acb..edb29df1 100644
--- a/man/pitchDeparsing.Rd
+++ b/man/pitchDeparsing.Rd
@@ -419,19 +419,19 @@ For example, we might think of a ascending major 12th as being an ascending octa
 The following table illustrates how different \code{octave.round} arguments "partition" compound intervals into simple parts and octaves:\tabular{llllll}{
     \tab round \tab floor \tab ceiling \tab trunc \tab expand \cr
    -P12: \tab -P15 + P4 \tab -P15 + P4 \tab -P8  - P5 \tab -P8  - P5 \tab -P15 + P4 \cr
-   +P12: \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \cr
-   +P8: \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \cr
+   -P11: \tab -P8  - P4 \tab -P15 + P5 \tab -P8  - P4 \tab -P8  - P4 \tab -P15 + P5 \cr
+   -P8: \tab -P8  + P1 \tab -P8  + P1 \tab -P8  + P1 \tab -P8  + P1 \tab -P8  + P1 \cr
    -P5: \tab -P8  + P4 \tab -P8  + P4 \tab +P1  - P5 \tab +P1  - P5 \tab -P8  + P4 \cr
-   +P19: \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \cr
-   +P15: \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \cr
+   -P4: \tab +P1  - P4 \tab -P8  + P5 \tab +P1  - P4 \tab +P1  - P4 \tab -P8  + P5 \cr
+   P1: \tab +P1  + P1 \tab +P1  + P1 \tab +P1  + P1 \tab +P1  + P1 \tab +P1  + P1 \cr
    +P4: \tab +P1  + P4 \tab +P1  + P4 \tab +P8  - P5 \tab +P1  + P4 \tab +P8  - P5 \cr
-   +P26: \tab +P29 - P4 \tab +P22 + P5 \tab +P29 - P4 \tab +P22 + P5 \tab +P29 - P4 \cr
-   +P22: \tab +P22 + P1 \tab +P22 + P1 \tab +P22 + P1 \tab +P22 + P1 \tab +P22 + P1 \cr
+   +P5: \tab +P8  - P4 \tab +P1  + P5 \tab +P8  - P4 \tab +P1  + P5 \tab +P8  - P4 \cr
+   +P8: \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \cr
    +P11: \tab +P8  + P4 \tab +P8  + P4 \tab +P15 - P5 \tab +P8  + P4 \tab +P15 - P5 \cr
-   +P33: \tab +P36 - P4 \tab +P29 + P5 \tab +P36 - P4 \tab +P29 + P5 \tab +P36 - P4 \cr
-   +P29: \tab +P29 + P1 \tab +P29 + P1 \tab +P29 + P1 \tab +P29 + P1 \tab +P29 + P1 \cr
+   +P12: \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \cr
+   +P15: \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \cr
    +P18: \tab +P15 + P4 \tab +P15 + P4 \tab +P22 - P5 \tab +P15 + P4 \tab +P22 - P5 \cr
-   +P40: \tab +P43 - P4 \tab +P36 + P5 \tab +P43 - P4 \tab +P36 + P5 \tab +P43 - P4 \cr
+   +P19: \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \cr
 }
 
 
@@ -441,19 +441,19 @@ When parsing \link[=pitch]{"absolute" pitch} representations, the \code{octave.r
 The following table illustrates:\tabular{llllll}{
     \tab round \tab floor \tab ceiling \tab trunc \tab expand \cr
    FF: \tab F2 \tab F2 \tab F3 \tab F3 \tab F2 \cr
-   gg: \tab G6 \tab G5 \tab G6 \tab G5 \tab G6 \cr
-   cc: \tab C5 \tab C5 \tab C5 \tab C5 \tab C5 \cr
+   GG: \tab G3 \tab G2 \tab G3 \tab G3 \tab G2 \cr
+   C: \tab C3 \tab C3 \tab C3 \tab C3 \tab C3 \cr
    F: \tab F3 \tab F3 \tab F4 \tab F4 \tab F3 \cr
-   ggg: \tab G7 \tab G6 \tab G7 \tab G6 \tab G7 \cr
-   ccc: \tab C6 \tab C6 \tab C6 \tab C6 \tab C6 \cr
+   G: \tab G4 \tab G3 \tab G4 \tab G4 \tab G3 \cr
+   c: \tab C4 \tab C4 \tab C4 \tab C4 \tab C4 \cr
    f: \tab F4 \tab F4 \tab F5 \tab F4 \tab F5 \cr
-   gggg: \tab G8 \tab G7 \tab G8 \tab G7 \tab G8 \cr
-   cccc: \tab C7 \tab C7 \tab C7 \tab C7 \tab C7 \cr
+   g: \tab G5 \tab G4 \tab G5 \tab G4 \tab G5 \cr
+   cc: \tab C5 \tab C5 \tab C5 \tab C5 \tab C5 \cr
    ff: \tab F5 \tab F5 \tab F6 \tab F5 \tab F6 \cr
-   ggggg: \tab G9 \tab G8 \tab G9 \tab G8 \tab G9 \cr
-   ccccc: \tab C8 \tab C8 \tab C8 \tab C8 \tab C8 \cr
+   gg: \tab G6 \tab G5 \tab G6 \tab G5 \tab G6 \cr
+   ccc: \tab C6 \tab C6 \tab C6 \tab C6 \tab C6 \cr
    fff: \tab F6 \tab F6 \tab F7 \tab F6 \tab F7 \cr
-   gggggg: \tab G10 \tab G9 \tab G10 \tab G9 \tab G10 \cr
+   ggg: \tab G7 \tab G6 \tab G7 \tab G6 \tab G7 \cr
 }
 
 }
diff --git a/man/pitchParsing.Rd b/man/pitchParsing.Rd
index 5af3e205..fabdefe3 100644
--- a/man/pitchParsing.Rd
+++ b/man/pitchParsing.Rd
@@ -435,19 +435,19 @@ For example, we might think of a ascending major 12th as being an ascending octa
 The following table illustrates how different \code{octave.round} arguments "partition" compound intervals into simple parts and octaves:\tabular{llllll}{
     \tab round \tab floor \tab ceiling \tab trunc \tab expand \cr
    -P12: \tab -P15 + P4 \tab -P15 + P4 \tab -P8  - P5 \tab -P8  - P5 \tab -P15 + P4 \cr
-   +P12: \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \cr
-   +P8: \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \cr
+   -P11: \tab -P8  - P4 \tab -P15 + P5 \tab -P8  - P4 \tab -P8  - P4 \tab -P15 + P5 \cr
+   -P8: \tab -P8  + P1 \tab -P8  + P1 \tab -P8  + P1 \tab -P8  + P1 \tab -P8  + P1 \cr
    -P5: \tab -P8  + P4 \tab -P8  + P4 \tab +P1  - P5 \tab +P1  - P5 \tab -P8  + P4 \cr
-   +P19: \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \cr
-   +P15: \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \cr
+   -P4: \tab +P1  - P4 \tab -P8  + P5 \tab +P1  - P4 \tab +P1  - P4 \tab -P8  + P5 \cr
+   P1: \tab +P1  + P1 \tab +P1  + P1 \tab +P1  + P1 \tab +P1  + P1 \tab +P1  + P1 \cr
    +P4: \tab +P1  + P4 \tab +P1  + P4 \tab +P8  - P5 \tab +P1  + P4 \tab +P8  - P5 \cr
-   +P26: \tab +P29 - P4 \tab +P22 + P5 \tab +P29 - P4 \tab +P22 + P5 \tab +P29 - P4 \cr
-   +P22: \tab +P22 + P1 \tab +P22 + P1 \tab +P22 + P1 \tab +P22 + P1 \tab +P22 + P1 \cr
+   +P5: \tab +P8  - P4 \tab +P1  + P5 \tab +P8  - P4 \tab +P1  + P5 \tab +P8  - P4 \cr
+   +P8: \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \tab +P8  + P1 \cr
    +P11: \tab +P8  + P4 \tab +P8  + P4 \tab +P15 - P5 \tab +P8  + P4 \tab +P15 - P5 \cr
-   +P33: \tab +P36 - P4 \tab +P29 + P5 \tab +P36 - P4 \tab +P29 + P5 \tab +P36 - P4 \cr
-   +P29: \tab +P29 + P1 \tab +P29 + P1 \tab +P29 + P1 \tab +P29 + P1 \tab +P29 + P1 \cr
+   +P12: \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \tab +P8  + P5 \tab +P15 - P4 \cr
+   +P15: \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \tab +P15 + P1 \cr
    +P18: \tab +P15 + P4 \tab +P15 + P4 \tab +P22 - P5 \tab +P15 + P4 \tab +P22 - P5 \cr
-   +P40: \tab +P43 - P4 \tab +P36 + P5 \tab +P43 - P4 \tab +P36 + P5 \tab +P43 - P4 \cr
+   +P19: \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \tab +P15 + P5 \tab +P22 - P4 \cr
 }
 
 
@@ -457,19 +457,19 @@ When parsing \link[=pitch]{"absolute" pitch} representations, the \code{octave.r
 The following table illustrates:\tabular{llllll}{
     \tab round \tab floor \tab ceiling \tab trunc \tab expand \cr
    FF: \tab F2 \tab F2 \tab F3 \tab F3 \tab F2 \cr
-   gg: \tab G6 \tab G5 \tab G6 \tab G5 \tab G6 \cr
-   cc: \tab C5 \tab C5 \tab C5 \tab C5 \tab C5 \cr
+   GG: \tab G3 \tab G2 \tab G3 \tab G3 \tab G2 \cr
+   C: \tab C3 \tab C3 \tab C3 \tab C3 \tab C3 \cr
    F: \tab F3 \tab F3 \tab F4 \tab F4 \tab F3 \cr
-   ggg: \tab G7 \tab G6 \tab G7 \tab G6 \tab G7 \cr
-   ccc: \tab C6 \tab C6 \tab C6 \tab C6 \tab C6 \cr
+   G: \tab G4 \tab G3 \tab G4 \tab G4 \tab G3 \cr
+   c: \tab C4 \tab C4 \tab C4 \tab C4 \tab C4 \cr
    f: \tab F4 \tab F4 \tab F5 \tab F4 \tab F5 \cr
-   gggg: \tab G8 \tab G7 \tab G8 \tab G7 \tab G8 \cr
-   cccc: \tab C7 \tab C7 \tab C7 \tab C7 \tab C7 \cr
+   g: \tab G5 \tab G4 \tab G5 \tab G4 \tab G5 \cr
+   cc: \tab C5 \tab C5 \tab C5 \tab C5 \tab C5 \cr
    ff: \tab F5 \tab F5 \tab F6 \tab F5 \tab F6 \cr
-   ggggg: \tab G9 \tab G8 \tab G9 \tab G8 \tab G9 \cr
-   ccccc: \tab C8 \tab C8 \tab C8 \tab C8 \tab C8 \cr
+   gg: \tab G6 \tab G5 \tab G6 \tab G5 \tab G6 \cr
+   ccc: \tab C6 \tab C6 \tab C6 \tab C6 \tab C6 \cr
    fff: \tab F6 \tab F6 \tab F7 \tab F6 \tab F7 \cr
-   gggggg: \tab G10 \tab G9 \tab G10 \tab G9 \tab G10 \cr
+   ggg: \tab G7 \tab G6 \tab G7 \tab G6 \tab G7 \cr
 }
 
 }